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Chaos & Fractals in Financial Markets, Part 1

Chaos and Fractals in Financial Markets
Part 1
by J. Orlin Grabbe

Prologue: The Rolling of the Golden Apple

In 1776, a year in which political rebels in Philadelphia were proclaiming their independence and freedom, a physicist in Europe was proclaiming total dependence and determinism. According to Pierre-Simon Laplace, if you knew the initial conditions of any situation, you could determine the future far in advance: “The present state of the system of nature is evidently a consequence of what it was in the preceding moment, and if we conceive of an intelligence which at a given instant comprehends all the relations of the entities of this universe, it could state the respective positions, motions, and general effects of all these entities at any time in the past or future.”

The Laplacian universe is just a giant pool table. If you know where the balls were, and you hit and bank them correctly, the right ball will always go into the intended pocket.

Laplace’s hubris in his ability (or that of his “intelligence”) to forecast the future was completely consistent with the equations and point of view of classical mechanics. Laplace had not encountered nonequilibrium thermodynamics, quantum physics, or chaos. Today some people are frightened by the very notion of chaos. (I have explored this at length in an essay devoted to chaos from a philosophical perspective. But the same is also true with respect to the somewhat related mathematical notion of chaos.) Today there is no justification for a Laplacian point of view.

At the beginning of this century, the mathematician Henri Poincaré, who was studying planetary motion, began to get an inkling of the basic problem:

"It may happen that small differences in the initial conditions produce very great ones in the final phenomena. A small error in the former will produce an enormous error in the latter. Prediction becomes impossible" (1903).

In other words, he began to realize “deterministic” isn’t what it’s often cracked up to be, even leaving aside the possibility of other, nondeterministic systems. An engineer might say to himself: “I know where a system is now. I know the location of this (planet, spaceship, automobile, fulcrum, molecule) almost precisely. Therefore I can predict its position X days in the future with a margin of error precisely related to the error in my initial observations.”

Yeah. Well, that’s not saying much. The prediction error may explode off to infinity at an exponential rate (read the discussion of Lyapunov exponents later). Even God couldn’t deal with the margin of error, if the system is chaotic. (There is no omniscience. Sorry.) And it gets even worse, if the system is nondeterministic.

The distant future? You’ll know it when you see it, and that’s the first time you’ll have a clue. (This statement will be slightly modified when we discuss a system’s global properties.)

I Meet Chaos

I first came across something called “dynamical systems” while I was at the University of California at Berkeley. But I hadn’t paid much attention to them. I went through Berkeley very fast, and didn’t have time to screw around. But when I got to Harvard for grad school, I bought René Thom’s book Structural Stability and Morphogenesis, which had just come out in English. The best part of the book was the photos.

Consider a crown worn by a king or a princess, in fairy tales or sometimes in real life. Why does a crown look the way it does? Well, a crown is kind of round, so it will fit on the head, and it has spires on the rim, like little triangular hats—but who knows why—and sometimes on the end of the spires are little round balls, jewels or globs of gold. Other than the requirement that it fit on the head, the form of a crown seems kind of arbitrary.

But right there in Thom’s book was a photo of a steel ball that had been dropped into molten lead, along with the reactive splash of the molten liquid. The lead splash was a perfect crown–a round vertical column rising upward, then branching into triangular spires that get thinner and thinner (and spread out away from the center of the crown) as you approached the tips, but instead of ending in a point, each spire was capped with a spherical blob of lead. In other words, the shape of a crown isn’t arbitrary at all: under certain conditions its form occurs spontaneously whenever a sphere is dropped into liquid. So the king’s crown wasn’t created to “symbolize” this or that. The form came first, a natural occurrence, and the interpretation came later.

The word “morphogenesis” refers to the forms things take when they grow: bugs grow into a particular shape, as do human organs. I had read a number of books on general systems theory by Ervin Laszlo and Ludwig von Bertalanffy, which discuss the concepts of morphogenesis, so I was familiar with the basic ideas. Frequent references were made to biologist D’Arcy Thompson’s book On Growth and Form. But it was only much later, when I began doing computer art, and chaotically created a more or less perfectly formed ant by iterating a fifth-degree complex equation (that is, an equation containing a variable z raised to the fifth power, z5, where z is a complex number, such as z = .5 + 1.2 sqrt(-1) ), that I really understood the power of the idea. If the shape of ants is arbitrary, then why in the hell do they look like fifth-degree complex equations?

Anyway, moving along, in grad school I was looking at the forms taken by asset prices, foreign exchange rates in particular. A foreign exchange rate is the price that one fiat currency trades for another. But I could have been looking at stock prices, interest rates, or commodity prices—the principles are the same. Here the assumption is that the systems generating the prices are nondeterministic (stochastic, random)—but that doesn’t prevent there being hidden form, hidden order, in the shape of probability distributions.

Reading up on price distributions, I came across some references to Benoit Mandelbrot. Mandelbrot, an applied mathematician, had made a splash in economics in the early-1960s with some heretical notions of the probabilities involved in price distributions, and had acquired as a disciple Eugene Fama [1] at the University of Chicago. But then Fama abandoned this heresy (for alleged empirical reasons that I find manifestly absurd), and everyone breathed a sigh of relief and returned to the familiar world of least squares, and price distributions that were normal (as they believed) in the social sense as well as the probability sense of a “normal” or Gaussian distribution.

In economics, when you deal with prices, you first take logs, and then look at the changes between the logs of prices [2]. The changes between these log prices are what are often referred to as the price distribution. They may, for example, form a Bell-shaped curve around a mean of zero. In that case, the changes between logs would have a normal (Gaussian) distribution, with a mean of zero, and a standard deviation of whatever. (The actual prices themselves would have a lognormal distribution. But that’s not what is meant by “non-normal” in most economic contexts, because the usual reference is to changes in the logs of prices, and not to the actual prices themselves.)

At the time I first looked at non-normal distributions, they were very much out of vogue in economics. There was even active hostility to the idea there could be such things in real markets. Many people had their nice set of tools and results that would be threatened (or at least they thought would be threatened) if you changed their probability assumptions. Most people had heard of Mandelbrot, but curiously no one seemed to have the slightest clue as to what the actual details of the issue were. It was like option pricing theory in many ways: it wasn’t taught in economic departments at the time, because none of the professors understood it.

I went over to the Harvard Business School library to read Mandelbrot’s early articles. The business school library was better organized than the library at the Economics Department, and it had a better collection of books and journals, and it was extremely close to where I lived on the Charles River in Cambridge. In one of the articles, Mandelbrot said that the ideas therein were first presented to an economic audience in Hendrik Houthakker’s international economics seminar at Harvard. Bingo. I had taken international finance from Houthakker and went to talk to him about Mandelbrot. Houthakker had been a member of Richard Nixon’s Council of Economic Advisors, and was famous for the remark: “[Nixon] had no strong interest in international economic affairs, as shown by an incident recorded on the Watergate tapes where Haldeman comes in and wants to talk about the Italian lira. His response was ‘[expletive deleted] the Italian lira!’”

Houthakker told me he had studied the distribution of cotton futures prices and didn’t believe they had a normal distribution. He had given the same data to Mandelbrot. He told me Mandelbrot was back in the U.S. from a sojourn in France, and that he had seen him a few weeks previously, and Mandelbrot had a new book he was showing around. I went over to the Harvard Coop (that’s pronounced “coupe” as in “a two-door coupe”, no French accent) and found a copy of Mandelbrot’s book. Great photos! That’s when I learned what a fractal was, and ended up writing two of the three essays in my PhD thesis on fractal price distributions [3].

Fractals led me back into chaos, because maps (graphics) of chaos equations create fractal patterns.

Preliminary Pictures and Poems

The easiest way to begin to explain an elephant is to first show someone a picture. You point and say, “Look. Elephant.” So here’s a picture of a fractal, something called a Sierpenski carpet [4]:

Notice that it has a solid blue square in the center, with 8 additional smaller squares around the center one.

Each of the 8 smaller squares looks just like the original square. Multiply each side of a smaller square by 3 (increasing the area by 3 x 3 = 9), and you get the original square. Or, doing the reverse, divide each side of the original large square by 3, and you end up with one of the 8 smaller squares. At a scale factor of 3, all the squares look the same (leaving aside the disgarded center square).

You get 8 copies of the original square at a scale factor of 3. Later we will see that this defines a fractal dimension of log 8 / log 3 = 1.8927. (I said later. Don’t worry about it now. Just notice that the dimension is not a nice round number like 2 or 3.)

Each of the smaller squares can also be divided up the same way: a center blue square surrounded by 8 even smaller squares. So the original 8 small squares can be divided into a total of 64 even smaller squares—each of which will look like the original big square if you multiply its sides by 9. So the fractal dimension is log 64 / log 9 = 1.8927. (You didn’t expect the dimension to change, did you?) In a factal, this process goes on forever.

Meanwhile, without realizing it, we have just defined a fractal (or Hausdorff ) dimension. If the number of small squares is N at a scale factor of r, then these two numbers are related by the fractal dimension D:

N = rD .

Or, taking logs, we have D = log N / log r.

The same things keep appearing when we scale by r, because the object we are dealing with has a fractal dimension of D.

Here is a poem about fractal fleas:

Great fleas have little fleas, upon their backs to bite 'em
And little fleas have lesser fleas, and so ad infinitum,
And the great fleas themselves, in turn, have greater fleas to go on,
While these again have greater still, and greater still, and so on. 

Okay. So much for a preliminary look at fractals. Let’s take a preliminary look at chaos, by asking what a dynamical system is.

Dynamical Systems

What is a dynamical system? Here’s one: Johnny grows 2 inches a year. This system explains how Johnny’s height changes over time. Let x(n) be Johnny’s height this year. Let his height next year be written as x(n+1). Then we can write the dynamical system in the form of an equation as:

x(n+1) = x(n) + 2.

See? Isn’t math simple? If we plug Johnny’s current height of x(n) = 38 inches in the right side of the equation, we get Johnny’s height next year, x(n+1) = 40 inches:

x(n+1) = x(n) + 2 = 38 + 2 = 40.

Going from the right side of the equation to the left is called an iteration. We can iterate the equation again by plugging Johnny’s new height of 40 inches into the right side of the equation (that is, let x(n)=40), and we get x(n+1) = 42. If we iterate the equation 3 times, we get Johnny’s height in 3 years, namely 44 inches, starting from a height of 38 inches).

This is a deterministic dynamical system. If we wanted to make it nondeterministic (stochastic), we could let the model be: Johnny grows 2 inches a year, more or less, and write the equation as:

x(n+1) = x(n) + 2 + e

where e is a small error term (small relative to 2), and represents a drawing from some probability distribution.

Let’s return to the original deterministic equation. The original equation, x(n+1) = x(n) + 2, is linear. Linear means you either add variables or constants or multiply variables by constants. The equation

z(n+1) = z(n) + 5 y(n) –2 x(n)

is linear, for example. But if you multiply variables together, or raise them to a power other than one, the equation (system) is nonlinear. For example, the equation

x(n+1) = x(n)2

is nonlinear because x(n) is squared. The equation

z = xy

is nonlinear because two variables, x and y, are multiplied together.

Okay. Enough of this. What is chaos? Here is a picture of chaos. The lines show how a dynamical system (in particular, a Lorenz system) changes over time in three-dimensional space. Notice how the line (path, trajectory) loops around and around, never intersecting itself.

Notice also that the system keeps looping around two general areas, as though it were drawn to them. The points from where a system feels compelled to go in a certain direction are called the basin of attraction. The place it goes to is called the attractor.

Here’s an equation whose attractor is a single point, zero:

x(n+1) = .9 x(n) .

No matter what value you start with for x(n), the next value, x(n+1), is only 90 percent of that. If you keep iterating the equation, the value of x(n+1) approaches zero. Since the attractor in this case is only a single point, it is called a one-point attractor.

Some attractors are simple circles or odd-shaped closed loops—like a piece of string with the ends connected. These are called limit cycles.

Other attractors, like the Lorenz attractor above, are really weird. Strange. They are called strange attractors.

Okay. Now let’s define chaos.

What is Chaos?

What are the characteristics of chaos? First, chaotic systems are nonlinear and follow trajectories (paths, highways) that end up on non-intersecting loops called strange attractors. Let’s begin by understanding what these two terms mean.

I am going to repeat some things I said in the previous section. Déjà vu. But, as in the movie The Matrix, déjà vu can communicate useful information. All over again.

Classical systems of equations from physics were linear. Linear simply means that outputs are proportional to inputs. Proportional means you either multiply the inputs by constants to get the output, or add a constant to the inputs to get the output, or both. For example, here is a simple linear equation from the capital-asset pricing model used in corporate finance:

E(R) = a + b E(Rm).

It says the expected return on a stock, E(R), is proportional to the return on the market, E(Rm). The input is E(Rm). You multiply it by b (“beta”), then add a (“alpha”) to the result—to get the output E(R). This defines a linear equation.

Equations which cannot be obtained by multiplying isolated variables (not raised to any power except the first) by constants, and adding them together, are nonlinear. The equation y = x2 is nonlinear because it uses a power of two: namely, x squared. The equation z = 4xy-10 is nonlinear because a variable x is multipled by a variable y.

The equation z = 5+ 3x-4y-10z is linear, because each variable is multiplied only by a constant, and the terms are added together. If we multiply this last equation by 7, it is still linear: 7z = 35 + 21x – 28y – 70z. If we multiply it by the variable y, however, it becomes nonlinear: zy = 5y + 3xy-4y2-10zy.

The science of chaos looks for characteristic patterns that appear in complex systems. Unless these patterns were exceedingly simple, like a single equilibrium point (“the equilibrium price of gold is $300”), or a simple closed or oscillatory curve (a circle or a sine wave, for example), the patterns are referred to as strange attractors.

Such patterns are traced out by self-organizing systems. Names other than strange attractor may be used in different areas of science. In biology (or sociobiology) one refers to collective patterns of animal (or social) behavior. In Jungian psychology, such patterns may be called archetypes [5].

The main feature of chaos is that simple deterministic systems can generate what appears to be random behavior. Think of what this means. On the good side, if we observe what appears to be complicated, random behavior, perhaps it is being generated by a few deterministic rules. And maybe we can discover what these are. Maybe life isn’t so complicated after all. On the bad side, suppose we have a simple deterministic system. We may think we understand it¾ it looks so simple. But it may turn out to have exceedingly complex properties. In any case, chaos tells us that whether a given random-appearing behavior is at basis random or deterministic may be undecidable. Most of us already know this. We may have used random number generators (really pseudo-random number generators) on the computer. The “random” numbers in this case were produced by simple deterministic equations.

I’m Sensitive—Don’t Perturb Me

Chaotic systems are very sensitive to initial conditions. Suppose we have the following simple system (called a logistic equation) with a single variable, appearing as input, x(n), and output, x(n+1):

x(n+1) = 4 x(n) [1-x(n)].

The input is x(n). The output is x(n+1). The system is nonlinear, because if you multiply out the right hand side of the equation, there is an x(n)2 term. So the output is not proportional to the input. Let’s play with this system. Let x(n) = .75. The output is

4 (.75) [1- .75] = .75.

That is, x(n+1) = .75. If this were an equation describing the price behavior of a market, the market would be in equilibrium, because today’s price (.75) would generate the same price tomorrow. If x(n) and x(n+1) were expectations, they would be self-fulfilling. Given today’s price of x(n) = .75, tomorrow’s price will be x(n+1) = .75. The value .75 is called a fixed point of the equation, because using it as an input returns it as an output. It stays fixed, and doesn’t get transformed into a new number.

But, suppose the market starts out at x(0) = .7499. The output is

4 (.7499) [1-.7499] = .7502 = x(1).

Now using the previous day’s output x(1) = .7502 as the next input, we get as the new output:

4 (.7502) [1-.7502] = .7496 = x(2).

And so on. Going from one set of inputs to an output is called an iteration. Then, in the next iteration, the new output value is used as the input value, to get another output value. The first 100 iterations of the logistic equation, starting with x(0) = .7499, are shown in Table 1.

Finally, we repeat the entire process, using as our first input x(0) = .74999. These results are also shown in Table 1. Each set of solution paths—x(n), x(n+1), x(n+2), etc.—are called trajectories. Table 1 shows three different trajectories for three different starting values of x(0).

Look at iteration number 20. If you started with x(0) = .75, you have x(20) = .75. But if you started with
x(0) = .7499, you get x(20) = .359844. Finally, if you started with x(0) = .74999, you get x(20) = .995773. Clearly a small change in the intitial starting value causes a large change in the outcome after a few steps. The equation is very sensitive to initial conditions.

A meteorologist name Lorenz discovered this phenomena in 1963 at MIT [6]. He was rounding off his weather prediction equations at certain intervals from six to three decimals, because his printed output only had three decimals. Suddenly he realized that the entire sequence of later numbers he was getting were different. Starting from two nearby points, the trajectories diverged from each other rapidly. This implied that long-term weather prediction was impossible. He was dealing with chaotic equations.

Table 1: First One Hundred Iterations of the Equation
x(n+1) = 4 x(n) [1- x(n)] with Different Values of x(0).

x(0):

.75000

.74990

.74999

Iteration

1

.7500000

.750200

.750020

2

.7500000

.749600

.749960

3

.7500000

.750800

.750080

4

.7500000

.748398

.749840

5

.7500000

.753193

.750320

6

.7500000

.743573

.749360

7

.7500000

.762688

.751279

8

.7500000

.723980

.747436

9

.7500000

.799332

.755102

10

.7500000

.641601

.739691

11

.7500000

.919796

.770193

12

.7500000

.295084

.707984

13

.7500000

.832038

.826971

14

.7500000

.559002

.572360

15

.7500000

.986075

.979056

16

.7500000

.054924

.082020

17

.7500000

.207628

.301170

18

.7500000

.658075

.841867

19

.7500000

.900049

.532507

20

.7500000

.359844

.995773

21

.7500000

.921426

.016836

22

.7500000

.289602

.066210

23

.7500000

.822930

.247305

24

.7500000

.582864

.744581

25

.7500000

.972534

.760720

26

.7500000

.106845

.728099

27

.7500000

.381716

.791883

28

.7500000

.944036

.659218

29

.7500000

.211328

.898598

30

.7500000

.666675

.364478

31

.7500000

.888878

.926535

32

.7500000

.395096

.272271

33

.7500000

.955981

.792558

34

.7500000

.168326

.657640

35

.7500000

.559969

.900599

36

.7500000

.985615

.358082

37

.7500000

.056712

.919437

38

.7500000

.213985

.296289

39

.7500000

.672781

.834008

40

.7500000

.880587

.553754

41

.7500000

.420613

.988442

42

.7500000

.974791

.045698

43

.7500000

.098295

.174440

44

.7500000

.354534

.576042

45

.7500000

.915358

.976870

46

.7500000

.309910

.090379

47

.7500000

.855464

.328843

48

.7500000

.494582

.882822

49

.7500000

.999883

.413790

50

.7500000

.000470

.970272

51

.7500000

.001877

.115378

52

.7500000

.007495

.408264

53

.7500000

.029756

.966338

54

.7500000

.115484

.130115

55

.7500000

.408589

.452740

56

.7500000

.966576

.991066

57

.7500000

.129226

.035417

58

.7500000

.450106

.136649

59

.7500000

.990042

.471905

60

.7500000

.039434

.996843

61

.7500000

.151515

.012589

62

.7500000

.514232

.049723

63

.7500000

.999190

.189001

64

.7500000

.003238

.613120

65

.7500000

.012911

.948816

66

.7500000

.050976

.194258

67

.7500000

.193508

.626087

68

.7500000

.624252

.936409

69

.7500000

.938246

.238190

70

.7500000

.231761

.725821

71

.7500000

.712191

.796019

72

.7500000

.819899

.649491

73

.7500000

.590658

.910609

74

.7500000

.967125

.325600

75

.7500000

.127178

.878338

76

.7500000

.444014

.427440

77

.7500000

.987462

.978940

78

.7500000

.049522

.082465

79

.7500000

.188278

.302657

80

.7500000

.611319

.844223

81

.7500000

.950432

.526042

82

.7500000

.188442

.997287

83

.7500000

.611727

.010822

84

.7500000

.950068

.042818

85

.7500000

.189755

.163938

86

.7500000

.614991

.548250

87

.7500000

.947108

.990688

88

.7500000

.200378

.036901

89

.7500000

.640906

.142159

90

.7500000

.920582

.487798

91

.7500000

.292444

.999404

92

.7500000

.827682

.002381

93

.7500000

.570498

.009500

94

.7500000

.980120

.037638

95

.7500000

.077939

.144886

96

.7500000

.287457

.495576

97

.7500000

.819301

.999922

98

.7500000

.592186

.000313

99

.7500000

.966007

.001252

100

.7500000

.131350

.005003

The different solution trajectories of chaotic equations form patterns called strange attractors. If similar patterns appear in the strange attractor at different scales (larger or smaller, governed by some multiplier or scale factor r, as we saw previously), they are said to be fractal. They have a fractal dimension D, governed by the relationship N = rD. Chaos equations like the one here (namely, the logistic equation) generate fractal patterns.

Why Chaos?

Why chaos? Does it have a physical or biological function? The answer is yes.

One role of chaos is the prevention of entrainment. In the old days, marching soldiers used to break step when marching over bridges, because the natural vibratory rate of the bridge might become entrained with the soldiers’ steps, and the bridge would become increasingly unstable and collapse. (That is, the bridge would be destroyed due to bad vibes.) Chaos, by contrast, allows individual components to function somewhat independently.

A chaotic world economic system is desirable in itself. It prevents the development of an international business cycle, whereby many national economies enter downturns simultaneously. Otherwise national business cycles may become harmonized so that many economies go into recession at the same time. Macroeconomic policy co-ordination through G7 (G8, whatever) meetings, for example, risks the creation of economic entrainment, thereby making the world economy less robust to the absorption of shocks.

“A chaotic system with a strange attractor can actually dissipate disturbance much more rapidly. Such systems are highly initial-condition sensitive, so it might seem that they cannot dissipate disturbance at all. But if the system possesses a strange attractor which makes all the trajectories acceptable from the functional point of view, the initial-condition sensitivity provides the most effective mechanism for dissipating disturbance” [7].

In other words, because the system is so sensitive to initial conditions, the initial conditions quickly become unimportant, provided it is the strange attractor itself that delivers the benefits. Ary Goldberger of the Harvard Medical School has argued that a healthy heart is chaotic [8]. This comes from comparing electrocardiograms of normal individuals with heart-attack patients. The ECG’s of healthy patients have complex irregularities, while those about to have a heart attack show much simpler rhythms.

How Fast Do Forecasts Go Wrong?—The Lyapunov Exponent

The Lyapunov exponent l is a measure of the exponential rate of divergence of neighboring trajectories.

We saw that a small change in the initial conditions of the logistic equation (Table 1) resulted in widely divergent trajectories after a few iterations. How fast these trajectories diverge is a measure of our ability to forecast.

For a few iterations, the three trajectories of Table 1 look pretty much the same. This suggests that short-term prediction may be possible. A prediction of “x(n+1) = .75”, based solely on the first trajectory, starting at x(0) = .75, will serve reasonably well for the other two trajectories also, at least for the first few iterations. But, by iteration 20, the values of x(n+1) are quite different among the three trajectories. This suggests that long-term prediction is impossible.

So let’s think about the short term. How short is it? How fast do trajectories diverge due to small observational errors, small shocks, or other small differences? That’s what the Lyapunov exponent tells us.

Let e denote the error in our initial observation, or the difference in two initial conditions. In Table 1, it could represent the difference between .75 and .7499, or between .75 and .74999.

Let R be a distance (plus or minus) around a reference trajectory, and suppose we ask the question: how quickly does a second trajectory¾ which includes the error e ¾ get outside the range R? The answer is a function of the number of steps n, and the Lyapunov exponent l , according to the following equation (where “exp” means the exponential e = 2.7182818…, the basis of the natural logarithms):

R = e · exp(l n).

For example, it can be shown that the Lyapunov exponent of the logistic equation is l = log 2 = .693147 [9]. So in this instance, we have R = e · exp(.693147 n ).

So, let’s do a sample calculation, and compare with the results we got in Table 1.

Sample Calculation Using a Lyapunov Exponent

In Table 1 we used starting values of .75, .7499, and .74999. Suppose we ask the question, how long (at what value of n) does it take us to get out of the range of +.01 or -.01 from our first (constant) trajectory of x(n) = .75? That is, with a slightly different starting value, how many steps does it take before the system departs from the interval (.74, .76)?

In this case the distance R = .01. For the second trajectory, with a starting value of .7499, the change in the initial condition is e = .0001 (that is, e = 75-.7499). Hence, applying the equation R = e · exp(l n), we have

.01 = .0001 exp (.693147 n).

Solving for n, we get n = 6.64. Looking at Table 1, we see that that for n = 7 (the 7th iteration), the value is x(7) = .762688, and that this is the first value that has gone outside the interval (.74, .76).

Similarly, for the third trajectory, with a starting value of .74999, the change in the initial condition is e = .00001 (i.e., . e = 75-.74999). Applying the equation R = e · exp(l n) yields

.01 = .00001 exp (.693147 n).

Which solves to n = 9.96. Looking at Table 1, we see that for n = 10 (the 10th iteration), we have x(10) = .739691, and this is the first value outside the interval (.74, .76) for this trajectory.

In this sample calculation, the system diverges because the Lyapunov exponent is positive. If it were the case the Lyapunov exponent were negative, l < 0, then exp(l n) would get smaller with each step. So it must be the case that l > 0 for the system to be chaotic.

Note also that the particular logistic equation, x(n+1) = 4 x(n) [1-x(n)], which we used in Table 1, is a simple equation with only one variable, namely x(n). So it has only one Lyapunov exponent. In general, a system with M variables may have as many as M Lyapunov exponents. In that case, an attractor is chaotic if at least one of its Lyapunov exponents is positive.

The Lyapunov exponent for an equation f (x(n)) is the average absolute value of the natural logarithm (log) of its derivative:

l = S (1/n) log |df /dx(n)|
n ®¥

For example, the derivative of the right-hand side of the logistic equation

x(n+1) = 4 x(n)[1-x(n)] = 4 x(n) – 4 x(n)2

is

4 – 8 x(n) .

Thus for the first iteration of the second trajectory in Table 1, where x(n) = .7502, we have | df /dx(n)| =
| 4[1-2 (.7502)] | = 2.0016, and log (2.0016) = .6939. If we sum over this and subsequent values, and take the average, we have the Lyapunov exponent. In this case the first term is already close to the true value. But it doesn’t matter. We can start with x(0) = .1, and obtain the Lyapunov exponent. This is done in Table 2, below, where after only ten iterations the empirically calculated Lyapunov exponent is .697226, near its true value of .693147.

Table 2: Empirical Calculation of Lyapunov Exponent from
the Logistic Equation with x(0) = .1

x(n)

log|df/dx(n)|

Iteration:

1

.360000

.113329

2

.921600

1.215743

3

.289014

.523479

4

.821939

.946049

5

.585421

-.380727

6

.970813

1.326148

7

.113339

1.129234

8

.401974

-.243079

9

.961563

1.306306

10

.147837

1.035782

Average

.697226

Enough for Now

In the next part of this series, we will discuss fractals some more, which will lead directly into economics and finance. In the meantime, here are some exercises for eager students.

Exercise 1: Iterate the following system: x(n+1) = 2 x(n) mod 1. [By “mod 1” is meant that only the fractional part of the result is kept. For example, 3.1416 mod 1 = .1416.] Is this system chaotic?

Exercise 2: Calculate the Lyapunov exponent for the system in Exercise 1. Suppose you change the initial starting point x(0) by .0001. Calculate, using the Lyapunov exponent, how many steps it takes for the new trajectory to diverge from the previous trajectory by an amount greater than .002.

Finally, here is a nice fractal graphic for you to enjoy:

Notes

[1] Eugene F. Fama, “Mandelbrot and the Stable Paretian Hypothesis,” Journal of Business, 36, 420-429, 1963.

[2] If you really want to know why, read J. Aitchison and J.A.C. Brown, The Lognormal Distribution, Cambridge University Press, Cambridge, 1957.

[3] J. Orlin Grabbe, Three Essays in International Finance, Department of Economics, Harvard University, 1981.

[4] The Sierpinski Carpet graphic and the following one, the Lorentz attractor graphic, were taken from the web site of Clint Sprott: http://sprott.physics.wisc.edu/ .

[5] Ernest Lawrence Rossi, “Archetypes as Strange Attractors,” Psychological Perspectives, 20(1), The C.G. Jung Institute of Los Angeles, Spring-Summer 1989.

[6] E. N. Lorenz, “Deterministic Non-periodic Flow,” J. Atmos. Sci., 20, 130-141, 1963.

[7] M. Conrad, “What is the Use of Chaos?”, in Arun V. Holden, ed., Chaos, Princeton University Press, Princeton, NJ, 1986.

[8] Ary L. Goldberger, “Fractal Variability Versus Pathologic Periodicity: Complexity Loss and Stereotypy In Disease,” Perspectives in Biology and Medicine, 40, 543-561, Summer 1997.

[9] Hans A. Lauwerier, “One-dimensional Iterative Maps,” in Arun V. Holden, ed., Chaos, Princeton University Press, Princeton, NJ, 1986.

J. Orlin Grabbe is the author of International Financial Markets, and is an internationally recognized derivatives expert. He has recently branched out into cryptology, banking security, and digital cash. His home page is located at http://www.aci.net/kalliste/homepage.html .
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from The Laissez Faire City Times, Vol 3, No 22, May 31, 1999

Posted on

Strange Loops

Strange Loops
by J. Orlin Grabbe

1: Be Yourself

He watched Billy in admiration. Billy would run with long steps, then just before reaching the sandy depression would yell, “Bombs over Tokyo,” and dive forward, turning slightly so he would land on the back of his right shoulder. Then, continuing the motion, he would roll over face down and fold his arms against his head, waiting for the bombs.

Lynn could contain himself no longer. With a burst of joy he, too, ran forward, diving with a yell, not quite getting it right, but eventually ending up face down.

“Lynn!” His mother was calling him. Maybe she wanted to congratulate him on his dive.

“What was it we talked about, Lynn?”

He thought about it. He couldn’t remember. He hadn’t done anything wrong.

“You were going to be yourself, right? To unfold your own personality and nature, like the little flower you are.”

“Okay,” he said. He didn’t know what she was talking about.

“What were you doing?”

“I was playing Bombs Over Tokyo.”

“You were imitating Billy, weren’t you?”

“Yes.”

“I want you to be yourself. To do what you want to. Not what Billy wants.”

“I was doing what I wanted. I wanted to play the game Billy was playing.”

“No. You have to be yourself and develop your own innate being. You shouldn’t imitate Billy. Just be yourself.”

He went and sat in the swing. For a long time he watched Billy running and diving. Billy called to him, but he was afraid to play while his mother was watching.

2: Salvation

“You mean no matter how hard I try to do what God says, and how many people I serve, I can’t redeem myself?”

“That’s right. You’re saved by grace, not by works. Salvation comes from God’s mercy, not from anything you do. God has mercy because Jesus was sacrificed in your stead. Jesus came to save sinners. Your attempt to save yourself by good works expresses contempt for the sacrifice of Jesus. The greater the sinner that is saved by Jesus, the greater the rejoicing in heaven.”

“The greater the sinner? Then why don’t I go out and raise some hell, stick up a liquor store, get drunk and stoned, and bang a few whores. All to the glory of Jesus, of course.”

“Ah. But once you’ve been saved, you naturally want to go out and do good works. Good works are the manifestation of the grace that is in you.”

“So, you’re saying if I do good works, it shows that I have received the grace of God, and have been saved. But, then, that means I do get something for good works.”

“Not necessarily. If you do good works just to save yourself, you’re spitting on the corpse of Jesus. But if you have grace, you just do good works naturally.”

“Okay. So if I do good works, and I do it because it comes naturally–that is, not to get anything or to save myself–then it shows that I have grace and have been saved. Right?”

“Well. Now you’re forgetting the sin of Job. You can become proud and self- righteous because of your good works, no matter the reason for them. That’s what happened to Job, and look what God did to him. He turned Satan loose to kill his family, take away his wealth, and afflict him with boils. That’s what Job got for his good works.”

“So even if I’m doing everything right, I may not be okay.”

“That’s right. You better keep looking over your shoulder.”

3: Sweet Nothings

She had complained he never brought her flowers, so on his way home from work, Monty stopped at the florist and purchased a dozen roses. He made sure each rose was fresh with the petals still closed.

She looked at the flowers.

“What’s the matter?” he asked.

“It was nice of you to bring me flowers, but–.”

“But what?”

“I don’t want you doing it just because I asked. I was hoping you would do it because you wanted to.”

“But I did want to. I want to do what makes you happy. I thought you wanted flowers.”

“Yes, but not like this,” she said.

He stewed for a while. Well, she certainly hadn’t mentioned chocolates. If he brought her chocolates, then she couldn’t say he was doing it just because she asked. He waited four days to allow enough time for spontaneity.

“That’s very sweet of you,” she said. “but I’m allergic to chocolates. Besides, they make me fat. Are you trying to make me fat?”

4: Elusive Tale

The next sentence is true. The previous sentence is false.

5: Getting Ahead

The first day the branch manager had been forthright and very clear. “We reward dedicated men,” he said. “We’re looking for hard and loyal workers. And remember: loyalty is a two-way street. All our section managers are hired from within.”

Jerry worked hard and did everything by the rules. He wanted to become a section manager as soon as possible, because he needed the additional money.

“He’s brown-noser,” Jerry’s current section manager wrote in his evaluation file.

“A solid company man, but no vision,” the assistant branch manager said.

“You haven’t shown the qualities it takes to be a leader,” the branch manager explained, when Jerry was passed over for promotion to section manager.

Jerry thought about it for days. Very well, there was no reason not to push for his plan, despite the toes he might step on. For Jerry had discovered a simple but effective way to cut costs by one million dollars per quarter. But it required reorganizing the entire section.

“He’s a troublemaker,” the section manager wrote.

“He’s an idea man,” the assistant branch manager said.

“Creative types can be unstable,” the branch manager explained, when Jerry was again passed over for section manager.

“We need someone faithful and solid to keep fellows like you from going off the deep end.”

6: Market Report

Monday: Bonds soared today as interest rates fell. Stocks, however, dropped. Analysts said stocks declined because investors were pulling money out of stocks and putting it into bonds.

Wednesday: The bond market continued to improve today with a further decline in interest rates. Stocks were unchanged. Analysts explained that the decline in interest rates was fully anticipated, and hence had little affect on stock prices.

Thursday: Today’s rising stock market was attributed by analysts to euphoria over the rising bond market. It was also noted that falling interest rates often make stock dividend yields relatively more attractive, and lead to heavier stock demand.

Friday: Bond prices continued to rise as interest rates fell once again. The stock market, however, was unsettled and took a sharp plunge. Analysts explained that stocks declined because falling interest rates are often a sign of recession and weak corporate profits.

7: The End

The neighbors heard the shot at 9:04 p.m. Mrs. W. H. Glisson was pronounced dead shortly after the police arrived at 10:13 p.m. Neighbors said Mr. Glisson was calm, put up no struggle, and made no attempt to flee.

The couple had decided on a separation, and the hallway was filled with Mrs. Glisson’s packed luggage.

“Why did you kill her?” asked Aileen Pherson, a neighbor, as police lead Mr. Glisson away.

“Because I loved her, you see,” he replied. “And I couldn’t bear the thought of living without her.”

J. Orlin Grabbe is the author of Keys and other short stories located here.

His home page is located at: https://orlingrabbe.com/ .

from The Laissez Faire Electronic Times, Vol 1, No 19, June 24, 2002
Editor: Emile Zola Publisher: Digital Monetary Trust

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Waiting for Gödel

Waiting for Gödel
a story by J. Orlin Grabbe

She had a way of ruining the best of moments.

–What are we doing here?

–Having fun, of course. It’s a trendy place. Good food, good service, lots of attractive people. What more could you want?

–You’re right. I don’t know. It’s just an eerie feeling. I mean, what if we’re not here by choice?

–Of course we’re here by choice. Why else would we come here? We’re here because we like it here.

–I know that. It’s our customary routine. We work out, feed the cat, then come here. But what if, say, we were just characters in a story, and had to go where the author made us go, and talk like she made us talk?

–Are you paranoid? We do our own thing, right? Of course we have independence, free will. Anyway, who is to say your author, your hypothetical God, is a she?

–I didn’t say God.

–Religion, literature–what’s the difference? You are postulating someone outside the story, outside the universe, looking in. An external observer in another hierarchy.

–No. Not an observer. Someone in charge.

–Control again. Okay. Suppose someone were in charge. Just for argument’s sake. So what?

–Well. The story is in her hands. What if she is crazy or evil? She may make us do things we don’t want. We may have to lead horrible, disgusting lives.

–Paranoid. Paranoid.

–No. Say she’s just a novelist. Novels thrive on tension and conflict. Man against man. Man against woman. Woman against woman. Woman against herself. Man against nature. There’ll never be any peace.

–Well, nothing wrong with that. Think about it. Imagine the alternative: a world without the tension that arises from contrasts. A world where it is always 68 degrees and sunny. A world with just one sex, or maybe no sexes. People all one color, say light purple. And everyone equal. They all have managerial jobs, earn $50,000 a year, and drive the same model of BMW. Let’s see, what else? Give everyone a restaurant on top of all that. What then?

–What indeed?

–You would never be able to go out to dinner, because no one would work as a waiter. Unless, of course, you just dined at the automat. That’s what all the restaurants would have to be, automats. No one would have anything to talk about. All would have the same job, so you couldn’t ask what kind of day someone had. You would already know. There would be no rich folks whose exploits and tragic lives you could read and gossip about, and feel superior to. Not many possibilities in the romantic sphere.

–And not much literature either. Which is what I said. So you have to introduce distinctions. Different colors. Different sexes. Inequality. Something to strive for. Highs and lows. Pain and suffering. Otherwise it wouldn’t be life, and it would be boring as hell.

–Okay, I’m not going to argue. In the calculus of The Laws of Form, Spencer Brown showed the first logical act required to create a universe was, “Draw a distinction.” That’s just what someone or something did, and here we are. Lucky us.

–Lucky, you say. What if there is some catastrophe, some plot complication, waiting for us just around the corner?

–You’re paranoid and pessimistic. Unnecessarily so. How do you think we ended up here, in this happy, trendy place with good food and good service?

–I don’t know, but something about it bothers me.

She took a pin out of her purse and pressed it into his forearm.

–Ouch! What the–. Why did you do that?

–The devil made me do it.

–What are you saying? You didn’t do that voluntarily? The author, the (capitalized) Author, made you do it? Jesus, you’re possessed.

–Right. Paranoid, pessimistic, and possessed.

She laughed gaily.

–Look. There are rules for figuring this out. Ways to discover the existence of your elusive Author. Let’s just call her, or him, or it, an A-Being.

–What kind of rules? Literary rules?

–Rules of inference.

–Such as?

–Presumably the A-Being is superior in some way. Superior knowledge or superior power. So we can use that fact to detect the A-Being’s presence, through the outcomes of games of strategy.

–What games?

–Games between us and the A-Being. Or between you, me, and the A-Being. The A-Being, through her total or partial omniscience, omnipotence, or immortality will be able to force certain outcomes that would not otherwise occur. This will reveal her presence.

–Can we communicate with the A-Being?

–Obviously if the A-Being exists, we can communicate with her.

–What if she lies, or uses deception?

–That’s a possibility.

–What if one of us is the A-Being?

–That just makes the game more complicated.

More complicated than you suspect.

–And what if I’m wrong and she isn’t in charge? Or I’m not in charge.

–Maybe no one is.

–Then our lives are chaos and there is no way to explain what is happening. All our experiences are ontological Rorschach blots, and inferences from game theory are a futile attempt to impose apparent logic on inherent contradiction and randomness.

–Thus I refute your philosophy, he says, kicking her in the shin.

He kicked her in the shin with the point of his boot.

–Puto! That wasn’t nice at all! Well, I was right. We are under the control of an evil, sadistic Author. And you’re right: she is definitely a he, and has it in for females.

Either that, or she is using deception. Or his actions are meaningless. Who would think this?

–Ah, conspiracy theory. First we establish whether the Author, the A-Being, exists, and only then need we worry whether he or she is good or evil.

–I don’t care if the Author exists unless she’s in charge.

–If she doesn’t exist she’s not in charge.

–We talk therefore we exist. Are we in charge?

–I write therefore I exist.

–That doesn’t make you the A-Being.

He poured mustard over the jello, placed an onion slice over that, and crowned the stack with a toasted bun.

–It’s a sign. Revelation.

–What is?

–The onion. You never had onion on your jello-burger before. The A-Being is attempting to contact us in her own mysterious way.

–That’s ridiculous. I just felt like onion today. A burger is a burger, onion or no onion. Anyway, the A-Being is a he, and he is me.

He had a way of denying the noumenal.

–Tell me about games of strategy.

–We each have our own goals, our own motives, our own methods. All these, however, are interdependent and conflict with each other.

–What goals would the A-Being have?

–Giving her characters motives, for one.

–What are your motives?

–To have a good life. To love a good woman. To have sex with several good women.

–Why are you telling me this?

–I wouldn’t ordinarily, but I am under the control of the A-Being.

–I’m not enough? I don’t satisfy you?

–It was just a joke.

–Now you’re being deceptive.

–No, I’m telling the truth.

–You are now, because the A-Being is forcing you to.

Why is this happening?

–I’m sorry, events are taking this course because of something that took place a couple months ago. We had both had too much to drink. That’s the only way I know how to explain it.

–What are you saying?

–I’m pregnant.

–You’re not.

–Yes I am.

–You can’t be pregnant because you’re a he.

–Can you be sure of that, at this point?

–You’re using deception.

–Don’t you want to know who the father is?

–What did you say?

–The A-Being said he–, she was pregnant. Either that or she’s complicating the plot..

–Which of us is the A-Being?

–Neither, someone lied.

He kissed her, then, with sincerity and passion.

The A-Being jabbed the fork deep into the back of one hand.

She had a way of ruining the best of moments.

J. Orlin Grabbe ‘s homepage is located at http://www.aci.net/kalliste/homepage.html .

from The Laissez Faire City Times, Vol 3, No 46, November 29, 1999

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The Age of the Feuilleton

The Age of the Feuilleton
a story by J. Orlin Grabbe

The restaurant is called Orfeo. It was named for the Greek superman of music and song. Live music appears nightly at Orfeo.

Orpheus was ripped to pieces by the Maenad followers of Dionysus. Howard, Orfeo’s impresario, does not wish to suffer the same fate. He serves wine as a propitiation to Dionysus. It is not known if either Orpheus or Dionysus ever ate in a public restaurant.

The curved metal roof gives the room perfect acoustics. You can eavesdrop on every conversation. But if everyone speaks at once you need to do Fourier analysis. Fourier analysis gives a way of separating individual signals from their chaotic summation. Charles Fourier was an Egyptologist who accompanied Napoleon in his invasion of that third-world country. Don’t try to keep any secrets at Orfeo.

“Once people get a taste for flowers, they can’t stop eating them.” Chef Michael stands just inside the kitchen, aplombly staring into the TV camera. His experiences as a chef in Miami and his boyhood in Brooklyn were formative ingredients for his neo-American creations in this Manhattan restaurant. Brooklyn is connected to Manhattan by an eponymous bridge. Miami is the capital of Florida where many New Yorkers spend their winters.

The crowd is wishing Michael would shut up and bring out the salads. Will they like eating flowers? They can’t be sure until they see themselves smiling in gustatory satisfaction on Channel 11. Channel 11 is a rival news organization. I am here to spy on their coverage of this event. I shouldn’t be telling you this, but it is impossible to keep secrets at Orfeo.

Randy, in front with the guitar, is starting the second verse of “Where Have All the Flowers Gone?” Randy is a friend of Pete Seeger. Pete Seeger played many folk songs, including the popular “Little Boxes,” about take-out food. Randy seems concerned the camera is back in the kitchen. No. Here comes the camera now. The cameraman positions himself directly in front of Randy, blocking our view. The lens hovers in Randy’s face. He doesn’t mind. Peering around the blockage I can see him smiling sweetly. The crowd gets revenge by singing along slightly off-key.

A photographer is taking pictures of the vase of flowers on the piano. Perhaps she expects someone to eat them also. Our newspaper would never make that mistake. Howard watches all this from behind the bar. He smokes to keep alertly calm. Nicotine is an acetylcholine agonist and stimulates the central nervous system. If they interview him, he has confided to me, he will play Hodding Carter. Howard likes to watch Hodding chastise the media.

But the media senses this and does not talk to him. They are here to film the flower power chef. Howard has worn his Great White Hunter outfit. He should have put a flower on the lapel.

Billy comes in in Levis. He does not look at my face. He cannot see me because I am wearing a suit. In my overt role I am Mr. Luncheoning Businessman. Billy sometimes plays the blues here on an old beat-up guitar. He’s not going to mess with me, because he thinks I am a TV executive. He has never owned a suit.

Now Michael and Franecheska emerge from the open kitchen with plates of flowers. Fish swim on some of the plates. They are called fish in the garden. The fish like edible flowers too. Michael and Franecheska stop so the cameraman can get a shot of them holding a plate in each hand. They smile until the corners of their mouths strain from the tension. I turn and look out the window so my face will not appear on tape. It is a clear, warm day without much chance of rain.

The cameraman needs a culinary close up. He sticks the camera right into one girl’s salad. Can you get AIDS from a TV camera? The Center for Disease Control later informs me they have no statistics on this. Now the cameraman pans back to her attractive face as she masticates petals. Will they edit out the dental work?

I am hoping they will soon run out of tape. I want to eat my own free salad in peace. Once you get a taste for flowers, you have no time for TV. Can we all change channels now?

The editor is looking at me, having read the story thus far. “Is that the best you can do for an ending: Can we all change channels now? And why do you want to call it `Fop Food and the Fourth Estate’?” The editor has two children and likes the Mets.

“I thought it sounded clever.”

“Sometimes being clever can get in the way of reporting the news.” He rings for an assistant. “For tomorrow’s edition,” he tells her. “And have them check that bit about Miami.”

J. Orlin Grabbe ‘s homepage is located at http://www.aci.net/kalliste/homepage.html .

from The Laissez Faire City Times, Vol 3, No 42, October 25, 1999

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Dolphin Man

Dolphin Man
a story by J. Orlin Grabbe

He had tried everything and wasn’t the slightest bit put off by the strangeness of the ad:

Wanted: Dolphin Man for important
project. If you walk like a dolphin
and talk like a dolphin, you’re it.

He had always been of the opinion the key to successful job-hunting was making the right first impression. After all, once they hired you, employment policy and bureaucratic inertia usually kept even the grossly incompetent from being fired. So, as was his custom, he headed for the library to find a way to up the odds.

After a couple hours combing sources, he was still at a loss. How the hell was a dolphin supposed to walk? He had first taken the phrase “to walk like a dolphin” as some theatrical metaphor, like “to break a leg.” Following a futile search in that direction, he then turned to books about dolphins themselves. Dolphins were air-breathing mammals, weren’t they? Perhaps they came out on the shore and did some sort of strange dance on the sand — hence the phrase “walk like a dolphin.” To talk like a dolphin was even more puzzling. Had scientists succeeded in teaching dolphins to talk?

He had heard about the chimpanzees who had a vocabulary of one or two hundred words. The chimps even learned to make up their own phrases, like the chimp who had combined the signs for “shit” and “scientist” to refer to an attendant she didn’t like.

He came across the name of a person who had done a lot of dolphin research. John Lilly. The best he was able to determine was John Lilly had only talked to the dolphins while floating in an isolation tank after taking ketamine. Should he show up for the job interview on ketamine? He waved away the idea. He wasn’t even sure what ketamine was — some type of anesthetic, apparently. Who knows, it might make him swim across the door sill and wiggle around like a dying guppy.

Another hour and he was feeling totally dejected. He didn’t know any more than when he had started. He was meditating on occupational hazard and social injustice when he was startled by a visage gazing intently into his own.

“What drove you to the dolphins?” she asked. She awaited his answer expectantly. Her intensity made him afraid. He felt any error in his answer would be met by a slap of a ruler on the back of his hand.

“Something made you do this?” she asked again.

“Yes.” He hadn’t had a job for three months.

“I thought so,” she said triumphantly. “You were probably a dolphin in a previous lifetime.”

“Sorry?” he asked cautiously.

“I have a friend who channels dolphins. She lives down at the end of Manhattan near Wall Street, on the water. You know, where the witches used to hang out. Well, she channels dolphins. Maybe she can help you remember who you once were.”

“I’m willing to try anything, if it will help me walk like a dolphin and talk like a dolphin.”

She looked at him curiously and gave him the address without further comment.

“I’m here for the seance,” he told the lady who opened the door.

“It’s not a seance, it’s a healing circle,” she corrected him, “but welcome.”

He looked around at the other people waiting in the living room. Their conversations were a little strange, but otherwise they seemed okay. The channeler had her hair shaved very short. Her head was kind of smooth and dolphin-like.

“First, each of us should state what his or her purpose is in being here,” the channeler said.

“I’m looking for a job,” he said. But, as they went around the circle, most of the others seemed to be “in transition.” He decided he was the only one unemployed.

The dolphins, when they arrived, giggled a lot and talked in a high squeaky voice. They liked to rub their heads against him, and he enjoyed petting them, but he wasn’t sure what he was supposed to get from all this.

Then each person took a turn in the center of the circle, and a spirit, not a dolphin, worked on each one’s problems. The girl sitting to his left had lost the ability to emotionally relate to humans because many years ago in Atlantis, the spirit said, she had been so involved with working with dolphins she had isolated herself from her own species. As the dolphin girl went around the circle hugging each person to reestablish human contact, he began to cry because he realized how much he had missed her.

When the dolphin girl came to him, she said: “I know you, you worked with me then.”

Now the spirit said, Come, dolphin man, and sit in the center of the circle.

Why are your eyes closed? the spirit asked. Open your eyes and raise up your head. He opened his eyes and looked at the channeler and saw her own eyes were closed.

I can see better that way, he said.

See with your heart. Now spread back your hands. Breathe in. How does it feel?

He could feel the warm sea water washing over him. He didn’t know what to say.

It felt free, yes?

Yes.

What? I can’t hear you. Why do you talk into your collar?

Yes, he said louder.

Feel the freedom. Are you willing to choose freedom now?

Why not? he said to himself.

What?

Yes, he almost shouted.

That’s better. When you walk, hold up your head. When you talk, raise up your voice. Let others see your freedom and feel your joy.

The spirit was silent. Then: Breathe in now and give voice to your freedom and your joy.

He turned up his head to breathe in the moist warm air. At first the sound caught in his throat. But then as the spirit gave voice to the tone, his own came out full and clear.

The next day when he went to the job interview he walked with his head held high and talked in his confident dolphin voice, and laughed his dolphin laugh, and in five minutes the job was his.

from The Laissez Faire City Times, Vol 3, No 40, October 11, 1999

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A Hundred Eighty Dollars

A Hundred Eighty Dollars
a story
by J. Orlin Grabbe

I was leaving the ranch in Texas to spend the summer in Columbus, Ohio, and the bus ride took two to three days. Don’t be pulling out your billfold and flashing a wad of bills, my father said. Put some ones in your front pocket, and when you need some change, just reach in and fish out one of those ones. That way nobody’ll see you’re carrying a lot of money.

I was taking a hundred eighty dollars to pay the stipend for the summer program, the one on mathematics, and had about twenty dollars besides. When the bus laid over in St. Louis for seven hours I decided it had been good advice. I had never seen bums and sharpies just hanging about the place and sleeping on benches before.

It was eleven p.m. when the bus pulled into Columbus, and I had nothing to do until the next morning, when I would go up to the university where the program was for kids like myself. I wasn’t sure there would be much to do at Ohio State and had brought a trunk of books I wanted to read. The trunk weighed about a hundred sixty pounds, so I moved it a few feet at a time to a large coin-operated locker like they still had in those days. Then I went into the coffee shop for some pie and coffee, and after that went out and leaned against the side of the building to watch the street.

Hi, pal. The black man was wearing a beret and peered closely at my face as he walked by.

Hi, I responded, and then ignored him and he walked on. There was traffic on the street, and a number of people on the block hovered like moths under the street lights or just walked around. After a while he came back and asked if my name was Bill. I said it wasn’t and we started talking. Leo was from New York and in the army at a nearby base, and spent his free weekends cruising the streets of Columbus. I had never had a conversation with a black man before, but didn’t tell him that. Then Leo saw Bill, whom he had first mistaken me for, and pointed him out. Bill was shorter than me, and hatchet-faced, and I didn’t think we resembled at all.

I guess all us white boys look alike, I said to Leo. He looked at me in surprise, then he laughed long and hard. It was the only time I saw him laugh. He had an earnest, sad set to his face and didn’t smile much, even though he was friendly.

We had read some of the same books, and we walked the streets and along the river and talked the rest of the night and much of the following morning. I told him about growing up in Texas, and he told me about New York and how he planned to go to City College and become a writer when he got out of the army. His favorite book was Morris West’s The Shoes of the Fisherman. Then he said his current girlfriend was the top woman tennis player in Columbus, and she was white, or rather mulatta–her mother was white and her father black–and he had had another girlfriend before, but before then he had only gone out with guys. That’s what he had been doing at the bus station, a lot of homosexuals hung out there, even young kids, and he was trying to see if he still had any of those tendencies.

I told him I had never met a homosexual and asked him how he got to be one. He said he used to dance in nightclubs starting when he was seven, and one night he had gotten drunk with two men who took him back to their apartment. When he woke in the morning his anus was raw and bleeding. After that he had gone out with a lot of men, but as a teenager he started getting interested in girls, too, but he didn’t know how to talk to them. He hadn’t told his current girlfriend about his past.

When daylight came we went to a drugstore Leo knew of that opened early, and sat at the counter for coffee and a roll. What do you think of this song, Leo asked, and I listened closely. It was entitled “I Can’t Get No Satisfaction” and was by a group called The Rolling Stones. I hadn’t heard it before and thought it was a damned fine song because I hadn’t been able to get much myself, but saw at that moment how satisfied I was, having spent the entire night in a strange city talking about books with a black man who used to be queer.

Leo said his girlfriend Moira had a car, and they could give me and the trunk a ride up to OSU. I went back to the bus station and slept for an hour on one of the benches. Then Leo and Moira came by and we went over to her parent’s house for a Sunday afternoon dinner in the back yard. They talked about Vietnam, Leo defending America being there, and Moira and her father ganging up against him. How do we what government is best for those people? her father asked. I felt sorry for Leo, he seemed so isolated, and I wondered when he was going to tell his girlfriend about his past. I knew he would, because there was confession in his soul.

When night came they drove me and my trunk to the university, to Drackett Tower where the math kids had taken over the tenth floor. I was in room 1035 with three other students, one, Ollie, who had arrived before me. Ollie, smoking, watched us move the trunk inside the room. He wasn’t sure what to make of his Texas roommate, with the black guy from New York and the white girl from Columbus who looked, talked, and moved like the tennis star she was. When they had gone, Ollie identified himself as a Catholic conservative who wanted to go into politics. He had applied for the math program because he wanted to be around intellectuals he could debate current events with.

There was a study room with four desks, a bedroom with four bunk beds, two upper and two lower, and a bathroom. Terry arrived the next day accompanied by his girlfriend Stacy, and his girlfriend’s parents. Stacy was about the most attractive and well-developed teenager I had ever seen, and I saw Ollie staring at her also, and he looked at me and raised his eyebrows. Within the first hour or so, we learned that Terry did not believe in premarital sex, but did believe in mate- swapping after marriage, and he had written a long paper for English class explaining his theory. In the event Stacy finds your beliefs too confining, Ollie told Terry, send her to me.

Even so, we were in awe of Terry because of his girlfriend, and when we found out his parents allowed him to have his own subscription to Playboy we were even more mystified. Finally Ollie said to me, it’s a strategy, see. Because he doesn’t believe in premarital sex, he gets to take her any place he wants. But I knew better: I could tell Terry was serious.

The fourth member of the group was a Jewish kid, Jeff, from Brooklyn who immediately attached himself to me. He was a year younger than most others in the program, and seemed to feel that his age averaged out with my being from Texas and put the two of us on an equal footing. The first thing Jeff said was, do you play chess, and I beat him a couple of games that same day, then I played Ollie, but Terry would only play blindfold chess, which none of us were any good at except him. While we played, Jeff and Terry kept up a running debate about the real words to “Louie, Louie,” and Ollie finally said you guys are crazy and sat down to read The Sorrows of Young Werther, which I had pulled out of the trunk.

The main classes were in number theory and abstract algebra, and the first week some of the other kids kept coming up to ask me what room I was in. It turned out they just wanted to hear me say “room 1035” with a Texas accent. It was the drawn out “5” that clinched it, of course, so I started saying “11 cubed minus 14 squared minus 10 squared,” which was the same thing but took some of the fun out of it the way they saw it.

The program was an experiment to see what would happen if you taught kids who were smart mathematically subjects they normally wouldn’t encounter until the final years of college. To accomplish this, they assigned us various instructors, including an Indian who, the first day I heard him, pointed to something on the blackboard and said, Eat ease a nail ee mint of diggity tree. I asked him if he could please repeat that, and so he said somewhat louder, EAT EASE A NAIL EE MINT OF DIGGITY TREE. I was sitting by Terry and looked at him for help, but he just shrugged. On the other side of Terry was Suzanne, the only really sexy girl in the program. The legend of Terry’s girlfriend had spread quickly and given him territorial rights on certain sexual issues, like who got to sit beside Suzanne. Suzanne was wearing a short skirt, and the kid in the row directly below her in the amphitheater kept looking over his shoulder and between her legs, and I saw her see him looking, and she opened her legs just a touch wider. After class I asked Ollie, but he hadn’t understood anything the instructor had said either, and while we hacked away at the diggity tree, Jeff came up and translated: It is an an element of degree three. And it turned out Jeff had learned to speak Indian in Brooklyn, and so he continued to go to the Indian’s lectures, but not the other three of us who had never been to Brooklyn and preferred an extra hour of sleep after the late night chess and poker games and bull sessions.

There was a curfew to insure everyone got enough sleep, but our room avoided it by tucking towels around the door so the counselors could not see light coming around the door sill. Despite this, they said our room was a den of trouble-makers. But the other kids thought we were cool, and would come down to our place to talk and to look at Terry’s Playboy foldouts which we had hung all over the study area. There was one Irish kid who knew about three hundred nun and priest jokes, about the lock to the gate of heaven, and the key, and Gabriel’s horn, and other jokes like that. People would argue or discuss Vietnam or symbolic logic or evolution or rock music or the latest books. We had to spend hours working the math problem sets, but I always joined in when a bull session was on, because I saw I had really come here to hear kids talk about things that kids back home didn’t know how to talk about.

The reputation of our room was such that one of the counselors came in the study area one day to ask if we knew where there was a whorehouse, and said there ought to be one around since this was a college town. This was news to us, and no one wanted to tell him we were still having premarital sex debates, although it eventually turned out that almost everyone who had no possible opportunity to have any was in favor of it. We also enjoyed bedtime stories, and took turns reading Candy, by Terry Southern, out loud to each other before turning out the lights to fall asleep.

It was important not to miss any of the scheduled meals, since no one had any money, and as the summer progressed and it became harder and harder to make it to the cafeteria before the breakfast line closed, we began to transport all manner of mobile food, like small boxes of cereal, along with bowls, cutlery, salt and pepper shakers and other items, back to the dorm. But occasionally we would go for a limeade or a coke at one place where I always played “Mr. Tambourine Man,” and once we walked five miles to buy twenty-five cent hamburgers at White Castle.

One day I realized I only had a hundred seventy dollars left, of which I supposed to pay OSU a hundred eighty, and I kept hoping they would forget I hadn’t paid, but then a notice was posted on the bulletin board with my name and one other kid’s, saying we hadn’t paid. Jeff told me some researchers at the psychology department were paying five dollars for participation in a two-hour experiment. You had to draw a circle on an etch-a- sketch between two other circles very close together, without touching the borders of the other circles, and while you were doing it the other participants in other rooms would write you notes with suggestions and comments how it was going, and you would write them notes. The researchers said it was an experiment in communication to see if the notes would help people perform better, but we had already found out the real purpose was about group behavior, to see if on average people would claim more successes when the notes–most of which the researchers had made up–seemed to indicate other particpants were having more successes. Since I knew it didn’t make any difference what I wrote, I amused myself by writing the funniest notes I could think of, and collected my money when it was over. But then I promptly spent it, and was no better off than before.

Finally I wrote my father for the ten dollars, and he amazingly sent me thirty-five, so after paying OSU the hundred eighty dollar stipend I went to the bookstore and bought some math books in case I might want to study them back in Texas, but I never did.

Once I called Leo at the number he had given me at the army base, and he said he had confessed to his girlfriend, and they had had a fight and broken up. And he was going to hitch-hike into town and meet me at a place, but when I went there he never showed up because he wasn’t able to get a ride. So I never saw him again, but sometimes think of him when I hear “I Can’t Get No Satisfaction,” and wonder if he ever found something that made him happy.

On the last day of lectures the instructor kept talking on and on, way past the bell, and I was feeling sick so I got up from the front row, and walked all the way up the steps to the exit door, and then I ran down the hallway and threw up in the men’s room. And I returned to the dorm and went to sleep. When I opened my eyes I saw almost every kid in the program had crowded into the bedroom, and they were talking about what a cool thing it had been that I had walked out on that long-winded instructor, till finally Ollie said can’t you see the man’s sick, and ran them out.

Then I said goodbye to Ollie and Terry and Jeff, and on the bus home I read an article in Esquire about the new slang they were using at colleges, but mostly I just looked out the window. My family was there waiting for me, they said later, when the bus stopped outside the drugstore of a nearby town. But I guess I didn’t recognize them, nor them me, and so I set out to walk the remaining twenty-six miles through a strange countryside I had known all my life, to the house rising abruptedly out of the wind-swept grassland that was no longer home.

from The Laissez Faire City Times, Vol 2, No 36, Nov. 2, 1998

LF City Times: http://zolatimes.com/

Web Page: http://www.aci.net/kalliste/homepage.html

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Agrarian Life

Agrarian Life
a story
by J. Orlin Grabbe

Sometimes we would go down to the creek where the root of the mulberry tree grew out of the side of the bank and slunk along the surface before plunging again underground. There was nothing remarkable about the root, except it was the one Teacher Hines said he tripped over when he blew his brother away with a twelve-gauge shotgun.

The unfortunate incident was complicated by the fact the gun Teacher Hines was carrying while he and his brother were hunting only held two shells, or three if one was already pumped into the chamber, and the medical examiner said there had been at least four shots discharged into the body of the deceased. They put Teacher Hines on trial for murder, which caused considerable excitement in the town, and in our family, because Hines was my oldest brother’s agricultural teacher in high school, and Hines’ wife taught my other brother in seventh grade.

At the trial Teacher Hines admitted he had reloaded and shot his brother again, but he said he had only done so to put the poor creature out of his misery. But by then town gossips had come forth to testify that Hines had been doing his brother’s wife on the side, and the wife in question was pregnant. None of us knew what all this meant for a time, and my brother would go to his seventh grade class and join in on the collective scrutiny of the sad lines on the teacher’s face, wondering what she thought about her husband diddling her sister-in-law, and wondering why he hadn’t been diddling her instead.

Gradually we came to understand that Hines had been doing his brother’s wife because his brother hadn’t been, and when she became pregnant they knew it was Teacher Hines’ baby for sure, so Teacher Hines had shot his brother to allow the baby to be born without the brother raising a fuss. Well, everyone said Teacher Hines would get the chair for sure, but then the lawyer put the brother’s wife on the stand, and she told how lonely she was and how awful she had been treated, until some of the jurors decided maybe the son- of-a-bitch needed to be shot anyway, and they only gave Teacher Hines twenty years.

We sometimes talked about Teacher Hines, my brother and I, as we carried our hoes across the pasture and then across the road into my grandfather’s property where Daddy had planted sorghum. There was a stray dog who had come to the house that year, and we had named him Hugo, and he went with us wherever we went. He would run back and forth between the rows of sorghum while we were hoeing weeds, and would chase rabbits, and then return to see how we were getting along. We carried water with us, in mason jars, and when we stopped at the end of a row for a drink in the hot sun, Hugo would come and drink out of the jars with us. My brother and I said Hugo was the best dog and best companion one could have.

Then one day Hugo killed a couple of chickens, and I saw him do it. So we watched him all the time, after that, and when we went away we would tie him up. But sometimes we would forget, and one day when we arrived home in the pickup, Hugo met us with feathers hanging out of his mouth, and the feathers were stuck to blood on his lips. Out in the chicken house there had been a massacre, with about twenty chickens dead. Their bodies lay on the floor, and on the roost, and out on the ground around the chicken yard.

“You better get a rope and tie up Hugo,” Mother said, “or Daddy might shoot him.” So I went and got a rope, and made a loop in one end, and called Hugo over to the fence beside the house. Hugo came running up, friendly and excited, and then I saw Daddy with the .22 rifle. “Stay back,” he said, and he shot Hugo twice in the side of the head.

Blood ran out of the two small holes, and Hugo fell on the ground and twitched for a while. My brother came running around the porch at that moment, laughing and yelling about something, and then he saw Hugo and stopped, standing up straight very suddenly, like he had run into an invisible wall. “Daddy shot Hugo,” I said. And I saw the look on his face as he turned and ran away, and even though I didn’t like my brother much in those days–we had been fighting a lot–I felt sorry for him, maybe even sorrier than I did for Hugo or for myself.

After a while I realized I was still holding the rope. So I went ahead and slipped the one end around the upper part of Hugo’s body, and dropped the rest of it on the ground, because I knew someone would have to drag him off into the pasture. And after that I got tired of having dogs, and never wanted to have them around anymore, or have to put up with a kind of animal that thought nothing of just coming up and slobbering on your face.

Sooner or later Hugo would have been bitten by a rattlesnake, for it was the same year my brother and I were having the big contest, to see who could kill the most rattlers. There was no cheating because you had to display the body for proof, and my brother would cut off all the rattles and put them on a string. But I didn’t because I couldn’t stand the way they sounded, and I hated everything about rattlesnakes.

I would be shocking feed and pick up a bundle and there would be a rattlesnake, lying coiled, buzzing its tail at me, and it would give me a start, and I would be jumping at things the rest of the day. But I would always be watching, anyway, and when I picked up a bundle I made sure one end stayed on the ground to shield me from what was underneath, and when I walked through the grass, I kept the legs of my levis pulled over the outside of my boots, because rattlers usually went for the lowest piece of exposed cloth.

Each of us worked with a length of stiff rope tied around his waist. The length was about five feet long and had a knot in each end, and it was your snake rope. If the rattlesnake was coiled, you would bother it and tease it, giving it room, until it would straighten out to slither away, then you would whack it across the back with one of the knots, breaking the back. And you would keep doing that, taking care the snake didn’t bite into the rope and cause you to sling the snake back at yourself, until the back was broken in enough places you could step on the snake’s head–right side up–with your boot, and cut off the body with your pocketknife, and bury the head with the fangs and venom underground so some other poor fool wouldn’t step on the fangs by accident. Then you would usually throw the the body into an ant bed, so the ants would quickly strip off the meat and it wouldn’t smell, except that my father would hang the body on a barbed wire fence with its belly up to the sun to make it rain.

That year, though, I had to keep the body as proof of kill, until I showed it to my brother, and as the year went on my brother’s body count began to exceed mine, and I began to go over into a neighbor’s pasture to find rattlesnakes there, too, and to kill them and to bring back the bodies. My brother was angry and said that wasn’t fair, but I pointed out the rules we had agreed on didn’t specify that all the rattlesnakes had to be found on our own property. Still, my brother stayed angry until the day he decided he wanted to catch one alive, to take to school, and needed my help. We took a half-gallon mason jar and a stick and twine each day we went to work in the field, until we came across a rattlesnake of decent size. And it took us a couple hours to get that snake into the jar without injuring it.

My father saw the rattlesnake and said we were damned fools to pull a stunt like that, and he wouldn’t let us keep it overnight in the house, but we sneaked it in anyway. And the next day we walked to the school bus stop, a quarter mile from the house where the railroad track crossed the highway, and my brother stuck the jar under his jacket so the bus driver wouldn’t see it, though later the kids at the back of the bus made such a fuss the driver pulled over and walked back and saw the rattlesnake. We were almost to town then, and there was nothing he could do, but he yelled at my brother and made him come up front and sit on the steps in front of the door, holding the jar between his knees. At school my brother took the snake up to the second floor to the science teacher, who also grumbled and scolded while he got the chloroform out of the cabinet. My brother didn’t mind any of this, because no one had ever brought a live rattler to school before, and he knew he had a perfect specimen, and would get an `A’ on his biology project.

Much as I hated rattlesnakes, I liked them better than pigs. Mother had joined a religious group that in later years I would call Christians for Moses. And Daddy thought it was pure foolishness, intended to make him the laughing stock of the countryside, but my oldest brother sided with Mother, and my brother and I did too, because we always did what our oldest brother did. And we kept all the Jewish holidays, only we called them God’s holidays, and for Passover would make unleavened corn bread, and we observed the Old Testament rules on the clean and unclean meats, and wouldn’t eat pork.

So Daddy decided to butcher a hog, and we had to do it ourselves, as we couldn’t afford to have it done in town. And I knew from the start it was a test to see if us kids would insist on such foolishness after having to work that hard, and when pig meat was the only meat around. So we boiled hot water in an open fire, and hung the scalded hog from a pipe laid between two tall posts, and scraped all the hair off, and butchered it there, and took the pieces to the smoke house to be wrapped in sugar cure. And we took one piece to the house for dinner, which Mother cooked in the skillet she kept aside to cook Daddy’s unclean meat.

Well, my oldest brother and my brother knew what was coming, and didn’t tell me their plan, and when Daddy came in for dinner they said they had already eaten, and so I was stuck with having dinner with him alone, and he forked me a big piece of pork. And I kept trying to talk about what I thought were all Daddy’s favorite subjects, but he kept ignoring the talk, and looking more angry, and saying, “Eat your meat.” So finally, when he was not looking, I took it off my plate and stuck it in my pocket, and Daddy saw that the meat was gone, but I don’t think he believed I had eaten it. So he told Mother she had turned all the kids against him, and poisoned their minds, and shoved her across the kitchen, and he said to us, “If you kids don’t want to eat the food in this household, you can pack up your bags and leave.” And shortly afterward I saw my oldest brother going upstairs, which was a provocative act when there was still work to be done, and I said, “You’re not going upstairs, are you?” And he smiled at me with that ironic, sad smile of his, and said, “My bags are upstairs.”

Well, a few weeks later maggots showed up in all the meat, because the sugar cure hadn’t worked, and Daddy said to my brother and me it was our fault, because we wouldn’t eat the meat. And since my oldest brother had left, my brother and I had to help Daddy pull the calves, and I hated it. We had had a young bull who was kept separate from the rest of the herd, because young bulls went after young heifers, and young heifers who were bred too early would have calves they can’t properly deliver. But the bull had broken through the fence, and bred a lot of young heifers, and the calves being born would stick in the heifers when the calves were only half way out, and there was nothing a heifer could do to push a calf on out, without someone to pull on it and help. Even so, the calf would often die, or have a broken leg, and sometimes the heifer’s womb would turn inside out, and we would have to tuck it back in and sew her up. The worst ones, though, were the ones where there was no way to get the calf out whole without killing the heifer, so it was better to kill the calf and cut it out of her in pieces, and after doing that a couple of times I didn’t care if I ever saw anything being born again.

Other than hunting rattlesnakes the only fun I was having that year was shooting rabbits. I had quit shooting rabbits with a .22 rifle about that time, because I didn’t think it was sporting and didn’t enjoy it anymore. But I was still stalking them with bow and arrow, and on foot because they were mostly cottontails, which had taken over the countryside from the jack rabbits. But one day while I was out riding I came across the biggest jack I had ever seen. And he was a beauty and looked like a small antelope bounding through the yucca. So I went back for my bow, and went out each day for the next several days, and when I spotted him I would follow him on horseback.

Even so he kept out of arrow range, until one day he seemed to think he was hidden and I hadn’t seen him, and I kept the horse headed in a direction that would pass about fifty feet to one side, and kept my eyes looking everywhere but at that jack. Then I stopped the horse, facing east, and drew the bow all the way back, and suddenly turned my body sideways to the north in the saddle looking directly at the jack, and I shot him in the neck. But the elation of the perfect shot lasted only a second before I was already missing him, knowing I would never again see him loping his way through the yucca and past the prickly pears.

I drew out the arrow, and wiped the blade and shaft off on the grass, and stood there for a while. And then I gathered that old jack up in my arms, not minding the blood on my clothes and on the saddle, and I rode with him several miles down to the creek, where I tied the horse and found a sharp stick to dig with. And I buried him there by the mulberry root, the one Teacher Hines said he tripped over when he blew his brother away with a twelve-gauge shotgun.

from The Laissez Faire City Times, Vol 2, No 35, October 26, 1998

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Keys

KEYS
a story
by J. Orlin Grabbe

I had known he was dumb, but I never would have run with him if I had known he was that dumb. And I had never liked him either, before then, cause he was a sissy. He was as big as me, bigger than average, and there weren’t no reason for him to act like a sissy. But that’s the way he was: poor, dumb, and a sissy. Hell, I was as poor as he was, but not dumb and not a sissy. I should have figured he would have squealed in the end. He was too big a sissy not to squeal no matter how afraid he was I might bust him up for it, and he was too dumb to know I could never do it once he had squealed cause it’d look suspicious.

I had never liked that sheriff, either, the one with chewing tobacco juice running out between his teeth and smelling awful.

The girls were skipping rope one day, two of them holding the ends, and the others taking turns kind of sliding in and doing five skips and out. A bunch of us were leaning against the school wall having a good laugh at the way Kathy always jumped stooping over, holding her skirt, afraid the wind would blow it up and show her panties. Anyway it weren’t her panties we were looking to see, it was Ruth Ann’s. So while we were waiting to see if anything was going to happen, I took the keys out of my pocket, about thirty of them all on a long chain, and I thumbed through them looking at each one.

I had read this book told by a safecracker, how he had stole a couple million dollars just breaking into places and opening safes. And I was figuring to do that myself, once I got big, only I wouldn’t make the same dumb mistakes and get caught. Hell, everybody knew I was the smartest kid in the class. Everybody except the ones who wanted to start something cause they said I was putting on airs. The first one who had said that, a few years ago, was my best friend, and he came up to me real mad one day after Mrs. Anderson put all the reading test scores and names on the blackboard, and he said what makes you so smart, and started punching me. Well, I figured he had no cause to act like that, him being my best friend and all, so I really let him have it back, and when it was all over we weren’t friends anymore. And it made me kind of sad cause I liked him. So now when anyone did that I just said don’t you know the trick, and I would tell them the easy way to get the right answers. I would tell them one thing, and then another, and make sure I talked just like them, not putting on no airs, and pretty soon they would be so mixed up they’d forgot what they came for, which was to pick a fight.

Well if I was the smartest, I figure Buford was the dumbest kid in class, his name always coming out at the bottom of the list, and him getting F’s and all. I would have never paid him no mind except his house was kind of run down and dumpy and dirty like mine. Of course he had a TV and could watch Dracula and the Wolfman and stuff whenever he wanted, but it didn’t seem to do him no good, he just stayed about the same level of dumb all the time.

So I was looking at the keys. I had been collecting quite a few from different places, even some I found just laying in the dirt when I was walking around. And I had been studying them, thinking about what kind of locks they might work on, reading books on Houdini and how to unlock any type of lock, and how pickpockets operated, and how to trick people. And I was thinking I could take these keys, and maybe I could just file them a little here and there, and then they would work in brand new locks and I could break into any place I wanted. I wouldn’t leave any fingerprints cause I’d wear gloves, and I would check for alarms and be careful not to make noise or attract attention.

Sometimes I would put on my sneakers and walk up and down the creakiest part of the stairs at home, practicing shifting my weight just right so I could float up and down like a cat or a ghost. Not that you needed to know any of this in my town, on account of there weren’t any office buildings or safes to break into, except for the local bank, or that’s what I thought then, and maybe only one or two stores had a burglar alarm. But those were real dumb ones, just hanging out there on the side of the building where you could cut the electric wires. Of course you had to use rubber gloves to keep all that juice from going through you, and maybe even frying your brains or making your eyes pop out, like when they put people in the electric chair.

So I was looking at my keys and Buford walks up and pulls a wad of keys out of his own pocket. It made me kind of proud to see that, another key collector, and him in my class. He had some good ones too.

“These,” he whispered private-like, “unlock the ice house.”

“How you know that?”

“That’s where I got ’em. The old man was in the back and I jis took ’em out of the drawer of his desk.”

“Hell, they could be anything then. Maybe file keys or something. It don’t mean they open the front door.”

The ice house was the place in town you could go to get fifty- or hundred-pound blocks of ice, which were kept in a big locker all covered with sawdust. And we would go there sometimes in the summer to get ice for the ice-cream maker to make home- made ice cream. And I started to think how much fun it would be, to go in there all alone, not to steal ice, what would be the point of that? And not to steal money, that old man didn’t make nothing, everybody knew that.

Hell, just to steal keys. Add to my collection. And that’s how it came to me–one of the grandest ideas I ever had. People locking up all their doors, protecting their stuff, and somebody breaks in and steals their keys, nothing else. And I started laughing out loud, it was such a grand idea, and some boys jerked up their heads to see who was jumping rope and what they had missed.

So we talked about this and that, me and Buford, and he told me the places he had already broke in. And I asked him if he wore gloves and he said that was just shit they did on TV, no one around here knew about fingerprints and that kind of stuff. And I said you never know, and he started talking big, letting on how he knew it all, and I thought to myself he’s just as dumb doing this as everything else. But I let him brag and didn’t care, cause I was feeling real proud here was another kid who wanted to be a burglar like me.

I was running the show then, the one in town, on Saturday night and Sunday afternoon. I got paid three dollars each of the two days, and it didn’t make no difference if it was a four- reeler like Cowboy or a twelve-reeler like The Ten Commandments. Each reel had about two thousand feet of film, and lasted about eighteen minutes, so a five-reeler would run about an hour and a half for each show, not counting the comedy or coming attractions, and we generally had two shows. The first time Buford and me went out was on a Sunday afternoon after I got done showing Dunkirk, which Mrs. Caves, the wife of the man who owned the movie house, kept calling dern kick. And I would laugh every time she said it, and she would wonder what got into me but never asked cause she thought I was Einstein or somebody, being only eleven and being the projectionist, and she would tell everybody I was a child progeny, which made me laugh even more.

So Buford came by after the show, and we walked over to the ice house, it being closed like everything else on Sunday except for the movie house. We were throwing a ball back and forth, all innocent-like, just like two kids playing, and I threw it over Buford’s head and behind the ice house. There weren’t any alley behind it, just a niche off the street, so you could get to the wooden stairs that ran up to the second story of another building facing the other way.

I put on my gloves first and Buford scoffed and said I didn’t need to do that and I said you do it your way and I’ll do it mine, and he was too dumb to think it would just be his prints all over everything. I looked at the padlock on the back door and he pulled out his keys like he was going to find one that fit it, but it was only a spring lock, the spring holding the bolt down cause it fit into a flat place on the side, so I had it picked open by the time he got his keys out.

When you went in the door it was like a stables or something that ran along side the ice locker and the front office and it was filled with barrels of stuff the old man had just dumped. There wasn’t a door to the office, just a square hole half way up the wall that looked like it had been knocked out with a hammer. And Buford grabs hold of it with both hands to climb through and says to me I always tear it bigger when I climb through here, and I say don’t do that, he’ll know for sure somebody was in here, and Buford said naw that old man don’t notice nothing. Well we looked through the desk some, and found another set of keys, besides the one Buford had already took, and we split them, and then we looked in the ice locker and chipped off a piece to suck on. And then I was ready to go, and when we climbed through the hole Buford stopped to kick at the sides of it to show me how tough he was, and I reckon I was kind of impressed, him being so dumb you couldn’t help admiring it, and we went out the back and I relocked the door.

Well, I was kind of excited and I said, hell, let’s go in somewhere else, and we walked over behind the laundry, where some of the women in town went to wash their clothes, and there was a pin tumbler lock on the back that I couldn’t do anything with, but it was stuck on a hasp that had the screws just showing face up, so all I had to do was unscrew them with my knife. And boy we made a haul there, must have been ten keys, five for each of us, but none of them fit the vending machines that sold soap and candy and other things. And after that we must have gone to a couple other places, and I was real proud that my key collection was growing by leaps and bounds.

Well the next week at school one day Buford says to me those Mexicans got a safe in the old Chevrolet house, and there’s a couple thousand dollars in there. And I say how you know that, and he says I seen it, I go over there to the dances all the time. And what he was talking about was in the fall the Mexicans came from across the border to pick cotton, and they stayed in buildings by the cotton gin, and Mr. Caves who had the movie house loved them because they came every night to the show, and so he opened the movie house every night just for that part of the year, and we showed Spanish movies mostly, and the regular movies on Saturday and Sunday. And the Mexicans all came to the movie on Saturday night, too, and then went over to the top of the old Chevrolet house where they danced for hours and hours, and sometimes we would go over and watch them after the show.

“Well if it’s a safe there’s no way we’re going to get that kind of thing open, and besides we’re just taking keys, there’ll be hell to pay if we take money.”

“Naw, no one cares if you take money from Mexicans.”

“I’m not taking no money from no Mexicans.”

“You’re just a Mexican lover.”

“It don’t make no difference, anyhow, there’s no way we’re going to get the safe open.”

“I’ve got a key to it,” he said, pointing to a new key on his ring, one I hadn’t seen before. “That’s it, right there.” And I looked at it, it didn’t look like a safe key to me, but I hadn’t seen that safe and couldn’t say different.

“How do you know it opens that safe?”

“I tried it.”

“Hell, if you tried why didn’t you go ahead and take the money?”

“I heard somebody, so I had to hide. I shut the safe door real fast, and then I ran away after that.”

“So maybe they saw you, and took the money out.”

“Naw. Nobody seen me.”

Well, I got to thinking. You could get two candy bars for a dime. So that was about fifty cents a week, if you had two every day not counting weekends. Which would cost you about twenty- five dollars in a year. Hell, I could just take a hundred dollars, and that would be four years of candy bars.

“Okay,” I said, “I’ll go with you. But we’re just going to take a hundred dollars each.”

“Naw, we’ll take it all.”

“Hell, how you going to tell people where you got all that money?”

“I’ll just tell them an uncle died and left it to me.”

“And what are you going to say when they ask your brother, and he says you didn’t have no uncle that died?”

“I’ll give him some of the money, and he’ll say the same as me.”

“You going to tell your brother we stole this money?”

And we talked like that some, him being so dumb he couldn’t see we couldn’t take all the money. And then I got to worrying that maybe he was going to lose the key before we got over there and got any of it.

“You better give me that key, so you don’t lose it.”

“Naw. I ain’t going to lose it.” He thought a minute. “But I’ll get you a copy of it, then we don’t have to worry.”

“Where you going to get a copy? There ain’t nobody that makes keys in this town.”

Anyway we decided to go check out that safe after the next weekend, when it would be full of money after the Saturday dance and all, and I told Buford it’s better to not be walking around town like we did that last Sunday, and we would just go over there during lunch hour at school, and so the next Monday Buford came up to me real proud and hands me a copy of the key. And I looked at it, real surprised-like, and said where did you get this, and he said I had it made, and I asked him where.

“The sheriff made it.”

“What are you talking about?”

“Well, I asked around a few stores, and they said ain’t nobody got a key machine around here but the sheriff, and so I went over to the court house and he drilled it for me.”

I was so mad I could hardly speak, and I called him a dumb shit and some other things, and then I said, so what’d you tell the sheriff, we needed two keys to break into the Mexican safe?

“Naw. I just told him it was for Mrs. Anderson’s husband, and he sweated and cussed and drilled for about an hour, and didn’t charge me nothing for it.”

Well, after a crazy stunt like that, I knew we better get over to that safe right away, so we went over during the lunch recess, and I put on my gloves, and we climbed through a broken window in the back. And the bottom of that old Chevrolet house was filled with all kinds of stuff that had just set there for years, all covered with dust, and then we went up front where the safe was, and it was sitting there pretty as you please with a big combination lock built in the door. And I looked at Buford and said you never had no key to no safe, and Buford pulls out his key and looks at it, and pretends to be puzzled, and says they must have changed the lock. And I said you dumb shit this lock is part of the safe, and he said don’t call me no dumb shit, and there was nothing to be done, so we went up the stairs to the dance hall to look around, to see if there was any money laying around up there, but we didn’t find nothing.

So later in the week Buford is standing by the school wall, keeping to himself, and I walk over and right away he says, we’re in trouble, the sheriff’s asking me all these questions, but I ain’t going to squeal on you, cause you’re my pal. And he keeps saying it again and again, that he was my pal and he wouldn’t squeal on me, and finally I tell him to shut up and tell me how the sheriff found out, and Buford says the sheriff called Mrs. Anderson’s husband to see if he got the key, and Mrs. Anderson’s husband said he don’t know anything about it.

“Yeah,” I say, “and then what?”

“And then the sheriff comes to see me, and asks what I wanted the key for, and I said I just wanted one to give to another kid at school because we collected keys, and then the sheriff starts asking me questions about places being broke into and people missing keys, and I said I didn’t know nothing about that.”

So I listened to this for a while, and then I tell Buford you better not squeal on me, and he said I’d never do that cause you’re my pal.

Well, the next Sunday afternoon, my dad drove me to the movie house in the pickup, so I could run the projector, and we were sitting there parked. And I looked out the window of the pickup and I saw the sheriff coming over, walking across the street from the direction of the court house, and it gave me a little start but not too much cause he and my dad liked to chew the fat now and then. But then he came right up to the pickup and instead of leaning in and talking across me to my dad, he opened the door and crowded right in, so I had to scoot over and was wedged in between them in front of the gear shift. And my dad says hi Johnny real glad-like cause he thought if the sheriff was getting in he was going to hang around and chew the fat and not have to rush off, but I knew something was up.

And he says hi Carman and leans over and starts talking to me right away, saying well you know I been talking to the McGavock boy, Buford, on account of some folks in town are having break-ins, and are missing some keys, and Buford tells me you and him did it, how you been going around and breaking into places and taking their keys. And right away I said, just blurting it out, not thinking:

“Well, he gave me some keys.”

“He just gave ’em to you. You didn’t go in with him and get ’em?” He was leaning right over in my face, so I could see all the tobacco on his teeth, and see the juice squeezing out between his lower teeth and overflowing on his lip, and I would have told you I was downright disgusted to have to look at something like that at a time when there was trouble.

“We was talking one day and it turned out we both collected keys. So I would give him some of mine and he would give me some of his. That’s all it was.”

“I was talking to Mr. May the other day and he said he had seen you two boys together, out at some place.”

“Sure, we run around a lot. Just playing and talking about keys and stuff.”

“And Buford never said nothing about any of those keys being stolen?”

“Well, he may of let on how a couple of ’em he got at this place or that place. But I figured he was just talking big, telling stories like he always does. Everybody knows you don’t believe nothing Buford says.”

So it goes on this way for a while, and we drive home, me and my dad, and I have to give him all my keys, all the ones on the chain, not just the ones I tell him Buford gave me, and he takes them to give to the sheriff, and tells me if the story is true he’s going to beat me with a rope, and I get mad as hell cause he would think of believing a dumb liar like Buford, and cause most of the keys I had had before, and even though I knew it would look better that only a few of the keys were the missing ones, I was real sore at losing the whole collection, cause they kept them all as evidence, saying maybe these were keys missing from nearby towns or something.

Well, I didn’t figure that it made any difference what Buford said about me, cause he already lied to the sheriff before about who the key was for, the one the sheriff made thinking it was for Mrs. Anderson’s husband, and cause no one had seen us breaking in or the sheriff would have already known that, and because I hadn’t left any fingerprints or anything dumb like that.

And it was a lesson to me how you should never lie, you should always tell the truth, because no one would ever believe a liar who told the truth, but if you always told the truth they had to believe you when you lied.

And I never did nothing to Buford, or talked to him after that, I just ignored him except one time at school when he got in my way in the hall and I shoved him aside and he fell down, but he didn’t make nothing of it, on account of being a sissy and all. The sheriff got him a job at the barber shop, shining shoes, so he could make some pocket change. And I would have felt kind of sorry for him, him being that dumb, if he hadn’t of squealed on me, and lied to me, saying he would never do nothing like that.

But it got me to thinking, cause I had read about lie detectors and stuff they had in other towns and in the big cities, and it got me real worried that no matter how careful you were, they could just hook you up to a machine and be able to tell where you had broke in and what you had done. And I was stumped until one day I read a story about a man who could fool lie detectors because he had been to the Orient and he could concentrate his mind. So I wrote away for some books on yoga and stuff, so I could get this problem licked, and learn to shut up my mind like a steel vault door which no one but me would have the keys to, and no machine could tell what was going on inside. And in the meantime I had to start my key collection all over again.

from The Laissez Faire City Times, Vol 2, No 34, October 19, 1998

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The Gold Market, Part 6

The Gold Market
Part 6
by J. Orlin Grabbe

Hedging is the process of substituting a certain, or known, outcome for an uncertain one. A gold producer, for example, does not know what the spot price of gold will be a year from now. But he can hedge future gold sales by selling gold forward at the known one-year forward price. This will enable him to determine his cash flow in advance– at least that part of it that depends on the fluctuating price of spot gold. It will simplify financial planning.

The actual spot price of gold a year from now may be higher than the preagreed forward rate, or it may be lower. Thus, by hedging and substituting a known price for an unknown one, the gold producer could just as easily suffer an opportunity loss as an opportunity gain.

Many in the gold market are looking not for a fixed forward price, but rather for a boundary guarantee. A future seller of gold might want a guarantee that the sales price will not fall beyond a minimum level below which he could not tolerably live, but otherwise prefer to remain unhedged in hopes the market price will rise. Similarly, a future gold buyer might look for a guarantee that the purchase price will not rise above a tolerable maximum level, but otherwise prefer to remain unhedged in hopes the market price will fall.

What can be said of the gold price can be said of gold interest rates. A future borrower of gold might look for insurance that the borrowing rate will not be too high, while a future lender of gold might look for insurance that the lending rate will not fall below a level yielding an acceptable return.

The gold market creates and sells such guarantee or insurance contracts. In the financial literature (and in the market), these same contracts are also called options. Naturally the market does not provide such insurance contracts for free. Like anything else, they are available for a price. The price or amount paid for an option (or guarantee or insurance) is called the premium. Options trade over-the-counter and at organized securities and futures exchanges.

Just as there are natural buyers of insurance, such as gold mining companies, there are natural writers of insurance. Central banks with large holdings of gold have written thousands of options over the past decade. Along with gold lending, this activity provides an income to the banks even when the gold price does not move much.

Options have the mystique of being a very arcane subject. But there is nothing terribly difficult about them, really. All that you need to know about options can be gotten by thinking through the consequences of the terms of the options contracts themselves. The option mystique comes from the use of a not-commonly-understood branch of mathematics called stochastic calculus in order to price them mathematically, and to produce numerical computer programs to generate prices and associated statistics for trading and risk-management purposes. But those same traders and risk-managers who use the output of the programs rarely know anything about stochastic calculus. It’s simply not necessary for understanding options.

Option Terminology

Options are usually classified according to whether they are options to buy (calls) or options to sell (puts), and according to whether they can be used only on a specific date (European) or at any time prior to a specific date (American). The terms “European” and “American” refer to types of options and have nothing to do with the geographical location of trading or the manner in which prices are quoted. We will divide gold options into two further categories: options on spot gold, and options on gold futures.

Options on Spot Gold

An American gold call is a contract between a buyer and a writer whereby the call buyer pays a price (the “premium”) to the writer in order to acquire the right, but not the obligation, to purchase a given amount (“size”) of gold from the writer at a purchase price (the “exercise” or “strike” price) stated in terms of a (usually) fiat currency, on or before a stated date (the “expiration” or “maturity” date). For example, a call option on gold might give one the right to purchase two tons of gold of .995 fineness at $310/oz. on or at any time before the third Wednesday in December 1999.

An American gold put is similar, except that it gives the right to sell a given amount of gold. For example, such a put option might give one the right to sell 40,000 ozs. of gold of .9999 fineness for $285/oz. on or before June 13, 2000.

A European option differs from an American option in that it may be exercised (used) only on the expiration date. If the call option in the penultimate paragraph were European, then it could be exercised only on, but not prior to, the third Wednesday in December 1999. If the put option in the preceding paragraph were European, it could be exercised only on June 13, 2000.

There are two sides to every option contract. There is the buyer of the option, who purchases the right either to buy (call) or sell (put) the asset contained in the option contract, and there is the writer of the option, who sells the right either to buy or sell the asset contained in the option contract. The buyer of an option on spot pays the price (or premium) of the option up front, and subsequently has the right to exercise or not to exercise the option contract. For example, the buyer might pay $20,000 to purchase a put that allows the buyer to sell 25,000 ozs. of gold at a strike price of $280/oz. The other side of the put contract is the writer who sells this right. The writer receives the $20,000 premium the buyer pays. Then if the buyer decides to exercise the right to sell 25,000 ozs. of gold, the writer has to purchase the gold at $280/oz. from the buyer of the put option. The buyer might be, for example, a Nevada gold-mining company and the writer a U.S. bank. If the bank writes the put to the company, and then the company exercises its right to sell gold at the strike price of $280/oz., the bank has to accept the 25,000 ozs. of gold and pay the company $7,000,000 in return.

Options on Gold Futures

Options on gold futures contracts, such as those traded at the COMEX Division of the New York Mercantile Exchange, are somewhat different from options on spot gold. A call on gold futures is a contract between a buyer and a writer whereby the call buyer pays a price (the premium) to the writer in order to acquire the right, but not the obligation, to go long an exchange-traded gold futures contract at an opening price (the strike price) stated in terms of a fiat currency. If the buyer of a call on futures exercises his or her right to go long a futures contract, the writer of the option must go short the futures contract. A put on gold futures similarly gives the right to establish a short position in an gold futures contract at a price given by the exercise price of the option. If the buyer of a put on futures exercises his or her right to go short a futures contract, the writer of the option must go long the futures contract.

(For credit purposes, the futures clearinghouse becomes the effective counterparty in all futures option trades. The clearhouse in effect becomes the writer to every option buyer, and the buyer to every option writer. But this does not change any of the contractual obligations associated with an option. In particular, the clearinghouse does not itself exercise long option positions. If the holder of a long option (put or call) exercises the option, the clearinghouse picks someone who is short the same option contract to meet the contractual obligation.)

All currently traded options on gold futures contracts are American in type, and can be exercised on any business day prior to expiration. For example, if you have an American call on December gold futures with a strike price of $280/oz. and the current futures price is $283.50/oz., exercising the option will give you a long position of one December gold futures contract at an opening futures price of $280/oz. Since the current futures price is $283.50/oz., the value of this futures position is

$283.50/oz. – $280/oz. = $3.50/oz.

This profit can be realized immediately by closing out the futures position (going short to offset), or by withdrawing the cash from the account (if futures margin requirements are otherwise already met).
Definition Summary

At this point a short summary of the basic option definitions might be useful:

1. There are two sides to each option contract--the buyer who obtains the option right to exercise, and the writer who issues this right.

2. From the buyer's perspective, a call is an option to buy or go long, while a put is an option to sell or go short.

3. From the writer's perspective, a call is an obligation to sell or go short (if the call buyer exercises), while a put is an obligation to buy or go long (if the put buyer exercises).

4. An option on spot gold involves an up-front cash payment of the premium from the buyer to the writer, and in addition a subsequent exchange of gold for a fiat currency if the buyer exercises the option.

5. An option on futures involves an up-front cash payment of the premium from the buyer to the writer, and in addition a subsequent futures position in which the buyer and writer are on opposite sides if the buyer exercises the option.

6. Any of these options can be American or European. The option is European if it can only be exercised on the final day, the expiration day. An American option can also be exercised on any business day prior to expiration. 

Gold Options as Insurance

Let’s look at the use of gold options for hedging from the point of view of an option buyer. For the moment, we will simply treat options as contracts that are available to the buyer or the writer at a market-determined price, without concerning ourselves with the separate question of what the fair value (fair to both the buyer and writer) of a gold option is.

For the purpose of hedging, gold options can be viewed as price insurance. Consider how insurance works in general. Suppose you buy fire insurance on a $100,000 house. You insure the house for its full value of $100,000, and the insurance is good for one year. If, by the end of the year, your house has not been damaged by fire, the insurance will have proved worthless. You throw away the unused insurance policy. Your total cost has been the cost of the insurance premium. On the other hand, suppose that fire does $40,000 worth of damage to your house. In this case, you have a $40,000 loss. But the insurance policy pays off the difference between the amount of the insurance ($100,000) and the current value of the insured asset ($60,000), making up exactly the amount of your loss ($40,000). Thus your total loss is zero, except again for the insurance premium, which you pay in any case.

An option works in the same way. Suppose you buy a put option on the value of a house. In particular, suppose the strike price of the put is $100,000. That is, it gives you the right to sell the house for $100,000. You buy an American put (so that it can be used at any time), and it expires in one year. If the market value of the house stays at $100,000 or greater for the year, there would be no advantage in exercising the put. Thus the put would expire worthless. You would throw it away rather than use it to your disadvantage.

But if, because of fire or for some other reason, the value of the house dropped to $60,000, you could exercise the put and sell the house for $100,000. The put has then served as insurance. It paid off the difference between the strike price ($100,000) and the current value of the house ($60,000), thus making up the entire loss in value ($40,000). In any case, whether or not the house lost value, you pay the cost of the put. The price paid for an option is (conveniently) referred to in the options market as the premium and is analogous to an insurance premium. Overall, then, the put serves as an insurance policy. (Or, as some prefer to say, insurance itself is just a put option.)

Let’s extend the analogy to deductible insurance. Suppose that, instead of insuring your house for $100,000, you insured it for $80,000. In this case if your house is damaged by fire, you will have to bear the loss of the first $20,000. On the other hand, the insurance premium on $80,000 will be less than the premium on $100,000, so that you may be willing to trade off the greater risk of loss in the case of fire with the lower fixed cost of the insurance premium. In the same way, if you purchased a put option on the house with a strike price of $80,000 instead of a strike price of $100,000, the premium (purchase price) of the put would be lower. But the insurance level of the put will be lower, because it will only pay to exercise the put if the value of the house falls below $80,000. Thus, buying a put option with a strike price that is lower than the current market value of the asset involved is like buying deductible insurance. Whether you like deductible insurance depends on your attitude to trading off lower insurance premiums with the risk of greater loss in the event disaster strikes.

Both options on spot gold and options on gold futures can be considered types of insurance against adverse gold price movements. Options on spot gold represent insurance bought or written on the spot price, while options on gold futures represent insurance bought or written on the futures price (which, as we saw in earlier parts of this series, is equivalent to the forward price).

Floors and Ceilings

An individual with gold to sell can use put options on spot gold to establish a floor price on the fiat currency value of gold. For example, a put option on 1 oz. of gold with an exercise price of $300/oz. will ensure that, in the event the value of gold falls below $300/oz., the 1 oz. of gold can be sold for $300/oz. anyway. If the put option costs $3/oz., this floor price can be roughly approximated as

$300/oz. – $3/oz. = $297/oz.,

or the strike price minus the premium. That is, if the option is used, you will be able to sell the 1 oz. of gold for the $300/oz. strike price, but in the meantime you have paid a premium of $3/oz.. Deducting the cost of the premium leaves $297/oz. as the floor price established by the purchase of the put. (This ignores fees and interest rate adjustments.)

Similarly, an individual who has to buy gold at some point in the future can use call options on spot gold to establish a ceiling price on the fiat currency amount that will have to be paid to purchase the gold. For example, a call option on 1 oz. with an exercise price of $305/oz. will ensure that, in the event the value of gold rises above $305/oz., the 1 oz. can be bought for $305/oz. anyway. If the call option costs $1/oz., this ceiling price can be approximated as

$305/oz. + $1/oz. = $306/oz.,

or the strike price plus the premium. To summarize these two important points involving gold puts and calls:

  1. Gold put options can be used as insurance to establish a floor on the fiat currency value of gold. This floor price is approximately

Floor price = Exercise price of put – Put premium.

  1. Gold call options can be used as insurance to establish a ceiling on the fiat currency cost of gold. This ceiling price is approximately

Ceiling price = Exercise price of call + Call premium.

These calculations are only approximate for essentially two reasons. First, the exercise price and the premium of the option on spot gold cannot be added directly without an interest rate adjustment. The premium will be paid now, up front, but the exercise price (if the option is eventually exercised) will be paid later. The time difference involved in the two payment amounts implies that one of the two should be adjusted by an interest rate factor. Second, especially in the case of exchange-traded options, there may be brokerage or other expenses associated with the purchase of an option, and there may be an additional fee if the option is exercised.

Over-the-Counter Options

Gold options are dealt over-the-counter in the form of a two-way price: a bid price at which the option will be purchased, and an asked price at which the option will be sold. At the time an option is dealt, the following must be specified in addition to the premium or cost of the option:

whether the option is a put or call
the strike (exercise) price of the option
the date the option expires
the principal amount of the option (number of oz. of gold)
whether the option is American or European.

There are four dates associated with each option. The first of these is the contract date, which is the date the option is traded or dealt. Since the option premium and strike price are agreed at this time, the option is actually in existence as of this date. The next is the premium settlement date, which is the date the option premium is actually paid. This is typically two working days after the contract date–following the two-day settlement convention in the foreign exchange market. The next date is option expiration, which is the final date on which the option may be exercised–the day the insurance runs out. The fourth date is the option settlement date, which again is typically two working days after the option expiration date. If an option is exercised on the expiration date, then gold and cash will exchange hands two working days later on the option settlement date. In the event the option is American, and thus can be exercised prior to the expiration date, option settlement will be two business days after the option is exercised.

Options are typically traded over-the-counter on a month basis. Thus, an “April” option will mean an option whose settlement date is the last trading day in April. The expiration day of the option will be two business days prior to the last trading day. Such options are traded for every calendar month. (Frequently a company will want a price quotation on a strip of options; for example, a strip of 24 puts, one put for each month in the next two years.)

Let’s look at a simple example.

Example 6.1

A gold refiner wants a 290 November European put on 24,000 ozs. of gold. The marketmaker gives a quote of 2.20- 2.60. This quotation is in U.S. dollars per ounce. The first price, $2.20/oz., is the premium that the refiner will receive if he sells the put, while $2.60/oz. is the price he will pay if he purchases the put. The strike price of the option is $290/oz. The refiner buys the put for $2.60.

In two business days, the refiner will pay the marketmaker the option premium. The premium amount is

24,000 oz. x $2.60/oz. = $62,400.

Since the option is European, nothing more will happen until option expiration in November, which is two business days prior to the last trading day.

Note, however, that the refiner has assured that the selling price for gold will not be less than

$290/oz. – $2.60/oz. = $287.40/oz.

The number $287.40/oz. is the refiner’s floor price. The refiner is assured he will not receive less than this, but he could receive more. The price the refiner will actually receive will depend on the spot gold price on the November expiration date. To illustrate this, we can consider two scenarios for the spot price of gold.

Case A

Spot gold on the November expiration date is $296/oz. The refiner would not use the put option (which has a $290 strike price) but would sell gold spot at the higher market rate of $296/oz. (Settlement will take place two days later.)

The total amount received per oz. of gold, once we subtract the cost of insurance, is

$296 – $2.60 = $293.40.

The $2.60/oz. that was the original cost of the put turned out in this case to be an unnecessary expense.

Now, to be strictly correct, a further adjustment to the calculation should be made. Namely, the $296 and $2.60 represent cash flows at two different times. Thus, if x is the amount of interest paid per dollar over the time period to end November, the proper calculation is

$296 – $2.60(1 + x).

Case B

The spot rate on the November payment date is $284/oz. The refiner can either exercise his option or sell it back to the marketmaker for its market value of $6/oz. Assuming the refiner exercises the option, he sells 24,000 oz. of gold for

($290/oz.)(24,000 oz.) = $6,960,000.

Subtracting the premium paid earlier, the net amount is

$6,960,000 – $62,400 = $6,897,600 .

This, of course, works out to be $287.40/oz., the floor price established by the option. (Here we have ignored the interest opportunity cost on the $62,400 premium.)

Writing Gold Options

The writer of a gold option on spot or futures is in a different position from the buyer of one of these options. The buyer pays the premium up front and afterward can choose to exercise the option or not. The buyer is not a source of credit risk once the premium has been paid. The writer is a source of credit risk, however, because the writer has promised either to sell or to buy gold if the buyer exercises his option. The writer could default on the promise to sell gold if the writer did not have sufficient gold available, or could default on the promise to buy gold if the writer did not have sufficient cash available.

If the option is written by a bank, this risk of default may be small, depending on which bank in which country. But if the option is written by a company, the bank may require the company to post margin or other security as a hedge against default risk. For exchange-traded options, as noted previously, the relevant clearinghouse guarantees fulfillment of both sides of the option contract. The clearinghouse covers its own risk, however, by requiring the writer of an option to post margin. At the COMEX, for example, the clearinghouse will allow a writer to meet margin requirements by having the actual gold or U.S. dollars on deposit, by obtaining an irrevocable letter of credit from a suitable bank, or by posting margin in the form of Treasury securities.

From the point of view of a company or individual, writing options is a form of risk-exposure management of importance equal to that of buying options. It may make perfectly good sense for a company to sell gold insurance in the form of writing gold calls or puts. The choice of strike price on a written option reflects a straightforward trade- off. Gold call options with a lower strike price will be more valuable than those with a higher strike price. Hence the premiums the option writer will receive are correspondingly larger. However, the probability that the written calls will be exercised by the buyer is also higher for calls with a lower strike price than for those with a higher strike. Hence the larger premiums received reflect greater risk taking on the part of the insurance seller (the option writer).

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This article appeared in Laissez Faire City Times, Vol 2, No 26.
Web Page: http://www.aci.net/kalliste/

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